ARTH 395:   HISTORY OF 20TH CENTURY ARCHITECTURE

 

Instructor:  Gene Waddell

 

Class meeting time:  Tuesdays and Thursdays, 9:25-10:40

Place:  Simons Center for the Fine Arts, Room 307

Office Hours:  After class or by appointment (953-8016; waddelle@cofc.edu).

 

Course description (from the Undergraduate Catalog): A study of modern architecture from 1885 to the present concentrating on the American contributions of Sullivan and Wright, the European modernists, Gropius, Mies van der Rohe, Le Corbusier, and post‑World War II developments. 

 

Prerequisite: ARTH 101 or 102 or 245 or permission of the instructor.

 

Course objectives:  to provide an understanding of how the changing functions for various buildings types were provided for through the application of new uses for building materials and new methods of constructions; to evaluate how well functions were achieved in major examples of 20th Century buildings; to show the principal sources of design which influenced the development of the personal styles of the most influential 20th Century architects and the extent of the influence of these architects on their contemporaries; to enable students to identify the best known 20th Century buildings and typical examples of the work the most influential architects.

 

Required books:  

(1)    The Architecture of McKim, Mead & White in Photographs, Plans, and Elevations

(2)    Drawings and Plans of Frank Lloyd Wright:  the Early Period (1893-1909)

(3)    Frank Lloyd Wright:  the Complete 1925 “Wendingen” Series

(4)    Le Corbusier, Towards a New Architecture

All of these books are inexpensive paperbacks, and they consist largely of illustrations.  All are worth keeping as part of your private library.  Only short sections in two of the four books need to be read for this course, but all of the illustrations should be studied.

 

Required reading: The total amount of required reading is equivalent to about two books.  Biographical information on the most influential architects needs to be read early in the course and so has been included along with the building types which are discussed initially.   The texts to be read for this course consists of articles, chapters of books, etc., which are available on electronic reserve: http://ereserve.cofc.edu/coursepage.asp?cid=204.  The password is:  buildings.  About 30 pages need to be read before each class.  The illustrations in the readings need to be carefully considered. Unannounced quizzes will be given to determine how carefully this information has been evaluated.

 

Grading:  

(1)  Final exam—35 percent

(2)    Mid-term exam—25 percent

(3)    Paper—25 percent

(4)    Unannounced quizzes—15 percent

 

Tests:  All exams and quizzes will consist of multiple choice questions.  There will be no intentionally misleading questions, but students will need to be able to identify buildings by architect, style, etc., and in some cases the buildings shown will not have been presented in lectures or readings. Students will also be expected to know approximately when building were constructed, where key buildings are located, the main materials and types of construction. The final exam will be cumulative.

 

Paper:  The proposed topic for your paper must be submitted in writing no later than Tuesday, October 9, and your proposal should include at least a paragraph outlining how you plan to deal with your subject. The paper must be turned in no later than November 20.  The objective in writing this paper should be to demonstrate the ability to apply knowledge you have learned in this course.  

 

Attendance:  Students are expected to attend all classes.  If you know in advance that you will need to miss class or leave early, please email me.

 

Calendar for Fall 2001:

 

(1)    Tues., Aug. 21:  Skyscraper (Chicago Tribune Competition; the development of the skyscraper from the Chicago Office Block )

 

(2)  Thurs., Aug. 23:  Skyscraper (Sullivan to Mies; construction of the Empire State Building)

Readings:  (A) Sprague, “Sullivan” and “Adler and Sullivan”; (B) Sullivan, “the Tall Office Building Artistically Considered” (1896). 

 

(3)    Tues., Aug. 28:  Expositions (London, 1851; Paris, 1878; Chicago, 1893; Paris, 1925)

Readings:  (A)  Friebe, “Paris 1889:  Exposition Universelle”;  (B)  Kaufman, “Frank Lloyd Wright.” 

 

(4)   Thurs., Aug. 30:  Expositions (Werkbund, 1913-1914; Barcelona, 1929; Osaka, 1970)

Readings:  (A) Muthesius and Van de Velde, “Werkbund theses and antitheses” (1914); (B) Isaacs, “Walter Gropius.”

 

(5)   Tues., Sept. 4:  Transportation  (railroads; Pennsylvania Station, New York; Milan)

Readings:  (A)  Meeks, “Apogee of the Train-shed”; (B) Glaeser, “Ludwig Mies Van der Rohe”; (C)  Mies, [five statements (1923, 1924—two, 1927, 1930, and 1950)]

 

(6)   Thurs., Sept. 6:  Transportation (airports)

Readings:  (A) Heino, “Air Stations”; (B) Sekler and Sekler, “Le Corbusier”; (C) Le Corbusier and Jeanneret, “Five Points Towards a New Architecture.” 

(7)  Tues., Sept. 11: Sports Facilities (Olympic facilities; Rome Olympics, 1960)

Readings:  (A) Gordon, “XVII Olympiad:  Rome 1960”; (B)  Nervi, “Academic Training of the Designer” and “Artistic Training.”

 

(8)  Thurs., Sept. 13: Sports Facilities (Basketball)

Readings: (A)  Penn, “the Basketball Floor…”; (B)  Sudell and Waters, “Construction of Pavilions.”

 

(9)    Tues., Sept. 18:  Auditoriums and Theatres

Readings: (A)  Harmon, “Auditoriums”; (B) Simonson and Hamlin, “Theatres.”

 

(10)Thurs., Sept. 20:  Theatres (movie palaces)

Readings:  Schlanger, “Motion-Picture Theatres.”

 

(11)Tues., Sept. 25:  Governmental Buildings (federal:  New Delhi, Chandigarh, Dacca)

Readings: (A) Irving, “Edwin Lutyens”; (B) Kahn, “Order Is.”

 

(12)Thurs., Sept. 27:  Governmental Buildings (federal:  Washington, D. C.)

Readings:  Bedford, [“National Archives and the Federal Triangle”].

 

(13)Tues., Oct. 2:  Industrial Buildings (factories)

Readings:  (A)  Sant’Elia and Marinetti, “Futurist architecture”; (B)  Loos, “Ornament and Crime.”

 

(14)Thurs., Oct. 4:  Commercial Buildings (Rockefeller Center)

Readings: Wallace K. Harrison, “Office Buildings.”

 

(15)Tues., Oct. 9:  Churches (Unity Temple; Lutyen’s design for Liverpool Cathedral)

Readings:  (A)  Wright, “the Meaning of Materials—Concrete”; (B) Wright, “Designing Unity Temple.”

 

Thurs., Oct. 11:  Mid-term exam.

 

(Tues., Oct. 16—Fall Break)

 

(16)Thurs., Oct. 18:  Hotels

Readings:  Wright, “the New Imperial Hotel.”

N. B.:  Paper proposal needs to be submitted.

 

(17)  Tues., Oct. 23:  Libraries

Readings:  Githens, “Libraries.”

 

(18)Thurs., Oct. 25:  Museums

Readings:  (A)  Bedford, [“National Gallery of Art in Washington”]; (B)  Brawne, “Gallery of the 20th Century, Berlin…” “Solomon R. Guggenheim Museum, New York (1956-1959),” and “Everson Museum of Art, Syracuse….”

 

(19)Tues., Oct. 30:  Bauhaus

Readings:    (A) Gropius, “Program of the Staatliches Bauhaus in Weimar” (1919); (B) Gropius, “the Theory and Organization of the Bauhaus” (1923); (C)  Gropius, “Structural Instruction.”

 

(20)Thurs., Nov. 1:  Colleges and Universities (Collegiate Gothic; Simon Fraser University)

Readings:  Erickson, “Simon Fraser University.”

 

(21)Tues., Nov. 6:  Suburban housing

Readings:  (A)  Wright, “Studies and Executed Works”; (B) Gropius, “Houses, Walk-ups or High-rise Apartment Blocks?” (1931)

 

(22)Thurs., Nov. 8:  Suburban housing

Readings:  Wright:  (A) “the Logic of the Plan”; (B) “the Cardboard House.” 

 

(23)Tues., Nov. 13:  Weissenhof-Siedlung

Readings:  (A)  Wedepohl, “the Weissenhof Settlement”; (B) Luders, “a Construction, Not a Dwelling”; (C)  “The Stuttgart Werkbund Houses.”

 

(24)Thurs., Nov. 15:  High-rise apartment houses

Readings:  (A) Le Corbusier, “Mass-Production Houses”; (B)  Alpern, [four New York luxury apartments]; (C) Bailey, “the Case History of a Failure.”

 

(25)Tues., Nov. 20:  City plans

Readings:  Garnier, “Tony Garnier’s Preface to Une Cité Industrielle.”

N. B.  Papers to be turned in.

 

(Thurs., Nov.22—Thanksgiving)

 

(26)  Tues., Nov. 27:  City planning theory

            Readings:  (A)  Le Corbusier, “Guiding Principles of Town Planning” (1925) (B) “CIAM:  La Sarraz Declaration” (1928); (C) “CIAM:  Charter of Athens: Tenents” (1933).

 

(27)Thurs., Nov. 29:  Modern architecture in retrospect

Readings:  (A)  Museum of Modern Art, “What is Modern Architecture?”; (B) Wolfe, “the Silver Prince”; (C) Venturi, “Nonstraightforward Architecture….” 

 

(28)  Tues., Dec. 3 (last lecture of course):  Recent skyscrapers compared.

 

Saturday, December 8:  FINAL EXAM, 8:00-11:00 A. M.

20th Century Architects and Buildings Discussed

 

 

Aalto, Alvar (1898-1976)

            1958-1962—Apartment Building, Bremen, Germany

 

Adler and Sullivan (partnership, 1883-1895; Dankmar Adler and Louis H. Sullivan)

            1886-1890—Auditorium Building, Chicago

            1890-1891—Wainwright Building, St. Louis

            1894-1896—Guaranty Building, Buffalo

            (See also, Sullivan, Louis H.)

 

Behrens, Peter (1868-1940)

            1908-1909—A. E. G. Turbine Factory, Berlin (Allgemeine Elektricitäts

Gesellschaft)

 

Burnham and Root (partnership, 1873-1891; Daniel H. Burnham and JohnWellborn

            Root); D. H. Burnham and Company (1891-1912)

            1885-1887—The Rookery Building, Chicago

            1889-1890—Monadnock Building, Chicago (Root)

1891-1894—Reliance Building, Chicago (begun by Root and redesigned by

Charles B. Atwood)

            1893—World’s Columbian Exposition, Chicago; Burnham and Root et al.

 

Cram, Ralph Adams (1863-1942)

            1906-1914—St. Thomas Church, New York (Cram, Goodhue, and Ferguson)

           

Erickson, Arthur (1924-    ); Erickson/Massey Associates, 1963-1972; Arthur

Erickson Architects, 1972-    .

1963    Simon Fraser University Competition, Burnaby, British Columbia, Canada; first place with Geoffrey Massey

1964-1965—Central Mall and Transportation Centre, SFU (Erickson/Massey

Associates with Jeffrey Lindsay, engineer)

1968-1969—MacMillan Bloedel Building, Vancouver; Erickson/Massey

1970-1971—University of Lethbridge, Alberta;  Erickson/Massey

 

Garnier, Tony (1869-1948)

            1918 Une Cité Industrielle:  Ētude pour la Construction des Villes.

                        Second edition, 1932.

 

Gropius, Walter (1883-1969)

            1911-1912—Fagus Factory, Alfeld, Germany; Gropius and Meyer

            1913-1914—Werkbund Exhibition, Cologne; Gropius and Meyer

            1925-1926—Bauhaus, Dessau

 

Hood, Raymond M. (1881-1934)

            1922-1925—Chicago Tribune Building; Howells and Hood

1928-1930—Daily News Building, New York; Howells and Hood

            1929-1933—Rockefeller Center, New York; Reinhard and Hofmeister; Corbet,

                        Harrison and McMurray; and Hood and Fouilhoux

 

Howells, John Mead (1868-1959)

            1922-1925—Chicago Tribune Building; Howells and Hood

1928-1930—Daily News Building, New York; Howells and Hood

 

Jenney, William Le Baron (1832-1907)

            1884-1885—Home Insurance Building, Chicago

            1889-1891—Second Leiter Building, Chicago

 

Kahn, Louis I. (1901-1974)

            1962-1974—Sher-E-Banglanagar; Dacca, Bangladesh.

 

Le Corbusier (Charles-Edouard Jeanneret-Gris; 1887-1965)

            1928-1931—Villa Savoye, Poissy, France

            1946-1952—Unité d’habitation, Marseilles, France

            1951-1955—Chapel Notre-Dame du-Haut, Ronchamp, France

1953-1959—Convent La Tourette, Eveux-sur-Arbresle, France

            1953-1963—Chandigarh, India

 

Lutyens, Edwin (1869-1944)

            1912-1931—Viceroy’s House, New Delhi

            1929—Liverpool Cathedral (project; part of crypt constructed)

 

McKim, Mead, and White (partnership:  Charles Follen McKim [1847-1909]; William

Rutherford Mead [1846-1928] and Stanford White [1853-1906])

            1882-1885—Henry Villard Houses, New York

1887-1898—Boston Public Library

1893-1902—Columbia University, New York

            1896-1900—University Club, New York

1900-1905—Bank of Montreal

            1902-1911—Pennsylvania Station, New York

           

Mies van der Rohe, Ludwig (1886-1969)

            1927—Apartment House, Werkbund Exposition; Stuttgart, Germany

            1928-1930—Tugendhat House, Brno, Czechoslovakia           

1929—German Pavilion, Barcelona

            1948-1951—Lake Shore Drive Apartments, Chicago (associated)

            1950-1956—Crown Hall, Illinois Institute of Technology (IIT), Chicago

(associated)

            1954-1958—Seagram Building (associated)

 

Nervi, Pier Luigi (1891-1979)

            1929-1932—Municipal Stadium, Florence

            1939-1942—Prefabricated hangars, Orvieto

            1947-1949—Exhibition Hall B, Turino

            1953-1958—UNESCO Conference Hall, Paris (with Bernard Zehrfuss and

Marcel Breuer)

            1956-1957—Palazzeto dello Sport, Rome (with Annibale Vitellozzi)

            1958-1959—Palazzo dello Sport, Rome (with Marcello Piacentini)

 

Neutra, Richard (1892-1970)

            1927-1929—Lovell House, Los Angeles

            1937—Strathmore Apartments, Los Angeles

 

Pei, I. M. (1917-    )

            1964—Green Center for the Earth Sciences, MIT, Cambridge

            1967—University Plaza, New York University

            1968—Everson Museum of Art, Syracuse, NY

 

Perret, August (1874-1954)

            1903-1904—Apartment Building, 25b rue Franklin, Paris

           

Pope, John Russell (1874-1937)

            1933-1935—National Archives Building, Washington

            1937—Duveen Sculpture Gallery, British Museum, London

            1937—National Gallery of Art (completed by Eggers and Higgins, 1941)

 

Richardson, Henry Hobson (1838-1886)

            1885-1887—Marshall Field Wholesale Warehouse, Chicago

 

Saarinen, Eero (1910-1961)

            1945-1956—General Motor Technical Center (with Smith, Hinchman, and

Grylls)

1956-1962—Terminal, Trans World Airways, Kennedy Airport, New York

1960-1964—CBS (Columbia Broadcasting System) Headquarters, New York

           

Saarinen, Eliel (1873-1950)

            1922—Tribune Tower Competition; second place entry

 

Sant’Elia, Antonio (1880-1916)

1914—Included in exhibition of drawings (Nuove Tendenze),  Milan; wrote preface to catalog (“Messaggio”; revised as Manifesto of Futurist Architecture)

 

SOM (Skidmore, Owings, and Merrill; partnership founded in 1939 by  John O. Merrill

[1896-1975], Louis Skidmore [1897-1962], and Nathaniel A. Owings [1903-    ])

1952—Lever House, New York (Gordon Bunshaft, partner in charge)

1963—Beinecke Rare Book and Manuscript Library, Yale University, New

Haven (Gordon Bunshaft, partner in charge)

1974—Sears Tower, Chicago (110 stories)

           

Sullivan, Louis (1856-1924)—see also Adler and Sullivan

            1898-1903—Schlesinger & Mayer Department Store (renamed Carson Pirie Scott

& Co. in 1904 and enlarged by Burnham in 1906), Chicago

 

Tange, Kenzo (1913-    )

            1961-1964—National Gymnasium, Tokyo Olympics

 

Wagner, Otto (1841-1918)

            1904-1906, 1910-1912—Postal Savings Bank, Vienna

 

White, Stanford (1853-1906)—see McKim, Mead, and White

 

Wright, Frank Lloyd (1867-1959)

            1904—Larkin Company Administration Building, Buffalo, NY

1906—Unity Temple, Chicago

1908—Robie House, Chicago

1908-1912—Coonley House, Riverside, Illinois

            1911—Taliesin, Spring Green, Wisconsin (remodled 1914 and 1925)

            1915-1922—Imperial Hotel, Tokyo

            1924—Ennis House, Los Angeles

1936-1939—Fallingwater (Kaufman House), Mill Run, Pennsylvania

            1938—Taliesin West, Scottsdale, Arizona

            1956—Solomon R. Guggenheim Museum, New York   

 

 

 

 

 

Buildings and Events in Chronological Order

 

 

1850-1851—Crystal Palace, London; Joseph Paxton (rebuilt 1852-1856 at Sydenham)

 

1882-1885—Henry Villard Houses, New York; McKim, Mead, and White

 

1884-1885—Home Insurance Building, Chicago; Jenney

           

1885-1887—Marshall Field Wholesale Warehouse, Chicago; Richardson

 

1885-1887—The Rookery Building, Chicago; Burnham and Root

 

1886-1890—Auditorium Building, Chicago; Adler and Sullivan

 

1887-1889—Eiffel Tower (976’; 300 m.), Paris Exposition; Gustave Eiffel

 

1887-1898—Boston Public Library; McKim, Mead, and White

 

1889—Galerie des Machines, Paris Exposition; Charles Louis Ferdinand Dutert

(architect) and Victor Contamin (engineer)

 

1889-1890—Monadnock Building, Chicago; Burnham and Root (Root)

 

1889-1891—Second Leiter Building, Chicago; Jenney

 

1890-1891—Wainwright Building, St. Louis; Adler and Sullivan

 

1892—reinforced concrete frame patented by François Hennebique

 

1893—World’s Columbian Exposition, Chicago; Burnham and Root et al.

 

1893-1902—Columbia University, New York; McKim, Mead, and White

 

1894-1895—Reliance Building, Chicago; D. H. Burnham and Company (design begun

by Root in 1891 and redesigned by Charles B. Atwood)

 

1894-1896—Guaranty Building, Buffalo; Adler and Sullivan

 

1898-1903—Schlesinger & Mayer Department Store (renamed Carson Pirie Scott

& Co. in 1904 and enlarged by Burnham in 1906), Chicago; Sullivan

 

1903-1904—Apartment Building, 25b rue Franklin, Paris; Perret

 

1904—Larkin Company Administration Building, Buffalo, NY; Wright

 

1904-1906, 1910-1912—Postal Savings Bank, Vienna; Wagner

 

1905-- Plaza Hotel, New York; Henry Janeway Hardenbergh

 

1906—Unity Temple, Chicago; Wright

 

1906-1914—St. Thomas Church, New York (Cram, Goodhue, and Ferguson)

 

1908—Robie House, Chicago; Wright

 

1908-1912—Coonley House, Riverside, Illinois; Wright

 

1909-1918—Ford Motor Co., Highland Park Plant, Michigan; Albert Kahn

 

1911—Taliesin, Spring Green, Wisconsin (remodled 1914 and 1925); Wright

 

1911-1912—Fagus Factory, Alfeld, Germany; Gropius and Meyer

           

1911-1913—Woolworth Building (760’), New York; Cass Gilbert

 

1911-1922—Lincoln Memorial, Washington; Henry Bacon

 

1912-1913—Jahrhunderthall, Breslau, Germany; Max Berg with Richard Konwiartz

 

1912-1931—Viceroy’s House, New Delhi; Lutyens

 

1913—Palace of Fine Arts, San Francisco; Maybeck

 

1913—Grand Central Terminal, New York; Warren and Wetmore

 

1913-1914—Werkbund Exhibition, Cologne; Gropius and Meyer

 

1915-1922—Imperial Hotel, Tokyo; Wright

 

1916—Hangar, Orly Airport, Paris; Eugène Freyssinet

 

1919—Tower of the Third International, Moscow; project by Vladimir Tatlin

 

1922—Tribune Tower Competition, Chicago; first prize to Howell and Hood;

second to Eliel Saarinen

 

1923—Vers une Architecture (Towards a New Architecture) by Le Corbusier

 

1924—Ennis House, Los Angeles; Wright

 

1925—Art Deco Style popularized by the Exposition Internationale des Arts Décoratifs

et Industriels Modernes, Paris

 

1925-1926—Bauhaus, Dessau; Gropius

 

1927—Weissenhof Siedlung, Stuttgart; separate buildings by Behrens, Gropius, Le

Corbusier, Mies, Oud, Poelzig,  Stam, et al.

 

1927-1929—Lovell House, Los Angeles; Neutra

 

1928-1930—Tugendhat House, Brno, Czechoslovakia; Mies van der Rohe

 

1928-1931—Villa Savoye, Poissy, France; Le Corbusier

 

1928-1931—Empire State Building, New York; Shreve, Lamb, and Harmon

 

1929—Chrysler Building, New York; William Van Alen

 

1929—Liverpool Cathedral (project; part of crypt constructed); Lutyens

 

1929—German Pavilion, Barcelona; Mies van der Rohe

 

1929-1932—Municipal Stadium, Florence; Nervi

 

1929-1933—Rockefeller Center, New York;  Reinhard and Hofmeister; Corbet,

Harrison and McMurray; and Hood and Fouilhoux (site plan and RCA

            Building)

 

1931—PSFS (Philadelphia Saving Fund Society) Building, Philadelphia; Howe and

Lescaze

 

1933-1935—National Archives Building, Washington; Pope

 

1936-1939—Fallingwater (Kaufman House), Mill Run, Pennsylvania; Wright

 

1937—Duveen Sculpture Gallery, British Museum, London; Pope

 

1937—National Gallery of Art; Pope; completed by Eggers and Higgins, 1941

 

1937—Strathmore Apartments, Los Angeles; Neutra

 

1938—Taliesin West, Scottsdale, Arizona; Wright

 

1939-1942—Prefabricated hangars, Orvieto; Nervi

 

1945-1956—General Motor Technical Center; Eero Saarinen with Smith, Hinchman, and

Grylls

 

1946-1952—Unité d’habitation, Marseilles, France; Le Corbusier

 

1947-1953—United Nations Buildings, New York; Harrison and Abramovitz, Le

Corbusier, Niemeyer, and Markelius

 

1948-1951—Lake Shore Drive Apartments, Chicago; Mies van der Rohe (associated)

 

1950-1956—Crown Hall, Illinois Institute of Technology (IIT), Chicago; Mies van der

Rohe (associated)

 

1951-1955—Chapel Notre-Dame du-Haut, Ronchamp, France; Le Corbusier

 

1952—Lever House, New York; SOM (Bunshaft)

 

1953-1959—Convent La Tourette, Eveux-sur-Arbresle, France; Le Corbusier

 

1953-1958—UNESCO Conference Hall, Paris; Nervi with Bernard Zehrfuss and Marcel

Breuer

 

1953-1963—Chandigarh, India; Le Corbusier

 

1954-1958—Seagram Building, New York; Mies van der Rohe (associated)

 

1956—Solomon R. Guggenheim Museum, New York; Wright

 

1956-1957—Palazzeto dello Sport, Rome; Nervi with Annibale Vitellozzi

 

1956-1962—Terminal, Trans World Airways, Kennedy Airport, New York

 

1956-1968—Sydney Opera House (completed 1973), Australia; Jørn Utzon

 

1957-1964—Brasília; Oscar Niemeyer

 

1958-1959—Palazzo dello Sport, Rome (with Marcello Piacentini); Nervi

 

1958-1962—Apartment Building, Bremen, Germany; Aalto

 

1960-1964—CBS (Columbia Broadcasting System) Headquarters, New York; Eero

Saarinen

 

1961-1964—National Gymnasium, Tokyo Olympics; Tange

 

1962—Vanna Venturi House, Philadelphia; Robert Venturi

 

1962-1974—Sher-E-Banglanagar; Dacca, Bangladesh; Kahn

 

1962-1976—World Trade Center, New York; Minoru Yamasaki

 

1963—Beinecke Rare Book and Manuscript Library, Yale University; SOM (Bunshaft)

 

1963—Chicago Civic Center, Chicago; C. F. Murphy Associates, supervising architects;

SOM; Loebl, Schlossman & Bennett, associate architects

 

1963--Simon Fraser University Competition, Burnaby, British Columbia, Canada; first

place with Geoffrey Massey

 

1963-1968—Ford Foundation Headquarters, New York; Roche and Dinkeloo

 

1964—Green Center for the Earth Sciences, MIT, Cambridge; Pei

 

1964—New York State Theatre, Lincoln Center, New York; Philip Johnson Associates

 

1964-1965—Central Mall and Transportation Centre, SFU (Erickson/Massey

Associates with Jeffrey Lindsay, engineer)

 

1965-1970—John Hancock Center, Chicago; Bruce Graham and SOM

 

1966—Complexity and Contradiction in Architecture by Robert Venturi published by the

Museum of Modern Art, New York

 

1967—University Plaza, New York University; Pei

 

1968—Everson Museum of Art, Syracuse, NY; Pei

 

1968-1969—MacMillan Bloedel Building, Vancouver; Erickson/Massey

 

1958-1962—Art and Architecture Building, Yale University; Paul Rudolph

 

1964-1967—Hyatt Regency Hotel, Atlanta; John Portman and Associates

 

1970-1971—University of Lethbridge, Alberta;  Erickson/Massey

 

1971-1977—Pompidou Center, Paris; Renzo Piano and Richard Rogers

 

1972—Olympic Stadium, Munich; Behnisch & Partner with Gunther Grzimek (roof by

Frei Otto)

 

1974—Sears Tower, Chicago (110 stories)

 

1975—Pacific Design Center, Los Angeles; Cesar Pelli

 

1975—Five Architects:  Eisenman, Graves, Gwathmey, Hejduk, Meier published by

Oxford University Press, New York.

 

1978—Piazza d’Italia, New Orleans, La.; Charles Moore and August Perez Associates

 

1978--AT&T Building, New York; Johnson/Burgee Architects

 

1983—Staatsgalerie Extension, Stuttgart; James Stirling

 

1986—Hongkong Bank, Hong Kong; Foster Associates of London

 

 

 

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