HISTORY OF AMERICAN
ARCHITECTURE (ARTH-335)
Spring Semester 2002
Instructor: Gene Waddell
Class meeting time: Tuesdays and Thursdays, 12:15-1:40
Office Hours: After
class or by appointment (953-8016; waddelle@cofc.edu).
Course call number: 10066
Course description (from the Undergraduate Catalog): A history of the architecture of North America. Though beginning with a brief examination of Precolumbian building and including Canadian examples where useful, the course will focus primarily on American architecture from the period of European settlement to the present.
Prerequsite: ARTH 101 or 102 or 245 or permission of the instructor.
Course objectives: This course is divided roughly into thirds to accomplish three principal objectives: (1) to show the principal European sources on American architecture; (2) to provide an overview of the careers of the most influential architects; and (3) to indicate what is most distinctive about the principal American cities. While approaching the subject from three points of view, the design and construction of representative buildings will be discussed.
Required books:
(1) Domestic Architecture of the American Colonies and of the Early Republic
by Fiske Kimball (the principal text for the first half of the course)
(2) The
Architecture of McKim, Mead & White in Photographs, Plans, and
Elevations
(3)
The Early Work of Frank Lloyd Wright (Ausgeführte Bauten; 1911)
Required reading: The total amount of required reading is equivalent to about two books. Fiske Kimball’s Domestic Architecture needs to be read carefully before the mid-term on February 14th. You will be tested then on how well you have read this book. Readings for later will be placed on electronic reserve by February 14th, and you will be tested on these readings on the final exam.
Grades:
(1) Final exam—25 percent (including 5 points for required reading)
(2) Mid-term exam—25 percent (including 5 points for required reading)
(3) Paper—25 percent
(4) Attendance: 25 percent
The exams will consist of multiple choice questions. There will be no intentionally misleading questions, but students will need to be able to identify buildings by architect, style, etc., and in some cases the buildings shown will not have been presented in lectures or readings. Students will also be expected to know approximately when 100 key building were constructed, where these buildings are located, and the main materials and types of construction. Little or no memorization should be necessary for students who attend all classes and read all required readings. The final exam will consist of material covered since the mid-term (from 1820 to the present).
Paper: Your paper should be primarily about the design and construction of a building you admire. The choice of the building is up to you, but please let me know by email (waddelle@cofc.edu) no later than Thursday, February 28. Please be sure to turn in your paper by Thursday, April 4.
At least some aspects of both the design and construction should be discussed. I urge you to try to determine why buildings were designed and constructed as they were. Please look particularly for specific problems and for how they were solved. If some problems were not solved as well as they might have been, please suggest ways in which the building could have been improved without greatly increasing its cost. Sound constructive criticism would provide a good indication of how carefully you have considered all aspects of a building and how well you can apply what you have learned in this course. Also, please do not hesitate to say what you like best about a building so long as you indicate why you like it.
The paper needs to be approximately 10 pages long (double-spaced typing). Illustrations are not required, but if they are needed to make your points clearly, please included one or more.
Attendance policy: Each class you attend will count one point towards your final grade up to a maximum of 25 points. Since there are 28 classes, up to 3 unexcused absences will not count against your grade.
Calendar:
PART I: STYLES OF AMERICAN ARCHITECTURE
(1) Thurs., Jan.10: American Indian architecture
(2) Tues., Jan. 15: Spanish influence. Late Medieval vernacular.
(3) Thurs., Jan. 17: Early Neoclassical influence
(4) Tues., Jan. 22: English Palladianism
(5) Thurs., Jan. 24: Adameque
(6) Tues., Jan. 29: Greek Revival
(7) Thurs., Jan. 31: Gothic Revival
(8) Tues., Feb. 5: Roman Revival and Italinate
(9) Thurs., Feb. 7: Beaux Arts Training
(10) Tues., Feb. 12: Modern and Post-Modern
PART II: MOST INFLUENTIAL ARCHITECTS
(11) Thurs., Feb. 14: Thomas Jefferson
(12) Tues., Feb. 19: Benjamin Henry Latrobe
(13) Thurs., Feb. 21: MID-TERM EXAM (covering buildings constructed before1820).
(14) Tues., Feb. 26: Robert Mills
(15) Thurs., Feb. 28: Jones & Lee (Reminder: Paper topics due by email not later than Feb. 28 [waddelle@cofc.edu])
March 3-9: Spring Break
(16) Tues., Mar. 12: Henry Hobson Richardson
(17) Thurs., Mar. 14: Louis H. Sullivan
(18) Tues., Mar. 19: McKim, Mead, and White
(19) Thurs., Mar. 21: Frank Lloyd Wright to 1910
(20) Tues., Mar. 26: Frank Lloyd Wright from 1911-1959
(21) Thurs., Mar. 28: Gropius, Mies, and the impact of the Bauhaus
PART III: ARCHITECTURAL CHARACTER OF MAJOR CITIES
(22) Tues., Apr. 2: Boston.
(23) Thurs., Apr. 4: New Orleans (Reminder: PAPERS DUE)
(24) Tues., Apr. 9: Washington in 1800 and 1900.
(25) Thurs., Apr. 11: Chicago and the rise of the skyscraper.
(26) Tues., Apr. 16: New York
(27) Thurs., Apr. 18: Los Angeles
(28) Tues., Apr. 23: Charleston
FINAL EXAM: Tuesday, April 30, 12:00-3:00
Most Influential
architects, firms, and buildings to be discussed:
Adler and Sullivan (partnership, 1883-1895; Dankmar Adler and Louis H. Sullivan)
1886-1890—Auditorium Building, Chicago
1890-1891—Wainwright Building, St. Louis
1894-1896—Guaranty Building, Buffalo
(See also, Sullivan, Louis H.)
Bulfinch, Charles
1793-1794—Tontine Crescent, Boston
1795-1797—Massachusetts State House, Boston
1805-1808—third Harrison Gray Otis House, Boston
Burnham and Root (partnership, 1873-1891; Daniel H. Burnham and JohnWellborn
Root); D. H. Burnham and Company (1891-1912)
1885-1887—The Rookery Building, Chicago
1889-1890—Monadnock Building, Chicago (Root)
1891-1894—Reliance Building, Chicago (begun by Root and redesigned by
Charles B. Atwood, 1894-1895)
1893—World’s Columbian Exposition, Chicago; Burnham and Root et al. (with
Burnham in charge of planning; the firm’s Fine Arts Building was designed principally by Charles B. Atwood and was rebuilt in 1929-1940)
Cram, Ralph Adams (1863-1942)
1906-1914—St. Thomas Church, New York (Cram, Goodhue, and Ferguson)
Furness, Frank (1839-1912)
1871-1876--Pennsylvania Academy of the Fine Arts, Philadelphia
1876-1879—Provident Life and Trust Co., Philadelphia
Gropius, Walter (1883-1969)
1949-1950—Harvard University Graduate Center, Cambridge (with TAC)
1957—Pan American Building, New York (with Pietro Belluchi)
Harrison, Peter (1716-1775)
1748-1750—Redwood Library, Newport
1749-1758—King’s Chapel, Boston
1759-1763—Touro Synagogue, Newport
1761-1773—Brick Market, Newport
Howells and Hood (John Mead Howells [1868-1959] and Raymond M. Hood [1881-
1934]
1922-1925—Chicago Tribune Building
1928-1930—Daily News Building, New York
Hunt, Richard Morris (1827-1895)
1878-1882—William Kissam Vanderbilt House, New York
1888-1892—William K. and Alva Vanderbilt Mansion (Marble House), Newport
1888-1895—George W. Vanderbilt Mansion (Biltmore House), Ashville (with
grounds by Frederick Law Olmsted)
1892-1895—The Breakers, Newport (for Cornelius Vanderbilt II)
1894-1895—Metropolitan Museum of Art entrance hall, New York (Wing D;
completed 1902 by Richard Howland Hunt)
Jefferson, Thomas (1743-1826)
1768-1782—first Monticello, Charlottesville
1785-1799—Virginia Capitol, Richmond
1796-1809—second Monticello, Charlottesville
1817-1826—University of Virginia, Charlottesville
Jenney, William Le Baron (1832-1907)
1884-1885—Home Insurance Building, Chicago
1889-1891—Second Leiter Building, Chicago
Jones & Lee (Edward C. Jones and Francis D. Lee)
1848-1850—Westminster Presbyterian Church (Trinity Methodist), Charleston
(Jones alone)
1852-1854—Unitarian Church, Charleston (Lee alone)
1853—State Bank of South Carolina, Charleston (Jones alone)
1853—Jenkins Mikell House, Charleston; attributed to Jones
1853-1855—Orphan House, Charleston
1855-1856—Director’s Room, Bank of Charleston
1857-1862—St. Luke’s Episcopal Church, Charleston (Lee alone)
McKim, Mead, and White (partnership: Charles Follen McKim [1847-1909]; William
Rutherford Mead [1846-1928] and Stanford White [1853-1906])
1882-1885—Henry Villard Houses, New York (White)
1887-1898—Boston Public Library (McKim)
1887-1891—Madison Square Garden, New York (White)
1892-1901—New York University, University Heights Campus, Bronx (White)
1893-1902—Columbia University, New York (McKim)
1893-1915—Brooklyn Institute of Arts and Sciences (Brooklyn Museum;
McKim)
1896-1900—University Club, New York (McKim)
1899-1901—Boston Symphony Hall (McKim: Wallace C. Sabine, consultant on
acoustics)
1900-1905—Bank of Montreal (McKim); new building on Craig Street; also
renovated existing building by John Wells, 1845-1847 (front retained)
1902-1911—Pennsylvania Station, New York (McKim)
Latrobe, Benjamin Henry (1764-1820)
1798—Bank of Pennsylvania, Philadelphia
1803-1817—main interiors of the United States Capitol, Washington (with others)
1804-1818—Baltimore Cathedral
1814—Commandant’s House, United States Arsenal, Pittsburgh
Mies van der Rohe, Ludwig (1886-1969)
1948-1951—Lake Shore Drive Apartments, Chicago (associated)
1950-1956—Crown Hall, Illinois Institute of Technology (IIT), Chicago
(associated)
1954-1958—Seagram Building (associated)
Mills, Robert (1781-1855)
1812-1817—Monumental Church, Richmond
1821-1826—Fireproof Building, Charleston
c. 1825—Lockkeeper’s House, Landsford Canal, South Carolina
1833-1855—Washington Monument, Washington (completed 1884)
1836-1840—Patent Office, Washington
1836-1842—Treasury Building, Washington
1839-1842—Post Office, Washington
Neutra, Richard (1892-1970)
1927-1929—Lovell House, Los Angeles
1937—Strathmore Apartments, Los Angeles
Pei, I. M. (1917- )
1964—Green Center for the Earth Sciences, MIT, Cambridge
1967—University Plaza, New York University
1968—Everson Museum of Art, Syracuse, NY
Pope, John Russell (1874-1937)
1933-1935—National Archives Building, Washington
1937—National Gallery of Art (completed by Eggers and Higgins, 1941)
Renwick, James, Jr. (1818-1895)
1846—Grace Church, New York
1847-1855—Smithsonian Institution, Washington
1858-1879—Saint Patrick’s Cathedral, New York
1859-1871—Corcoran Gallery, Washington
Richardson, Henry Hobson (1838-1886)
1872-1877—Trinity Church, Boston
1878-1881—Senate Chamber, Capitol, Albany
1880-1882—Crane Memorial Public Library, Quincy
1881-Austin Hall (Law School), Harvard University, Cambridge
1883-1888—Allegheny County Courthouse and Jail, Pittsburgh
1885-1887—Glessner House, Chicago
1885-1887—Marshall Field Wholesale Warehouse, Chicago
Saarinen, Eero (1910-1961)
1945-1956—General Motor Technical Center (with Smith, Hinchman, and
Grylls)
1956-1962—Terminal, Trans World Airways, Kennedy Airport, New York
1960-1964—CBS (Columbia Broadcasting System) Headquarters, New York
Saarinen, Eliel (1873-1950)
1922—Tribune Tower Competition; second place entry
SOM (Skidmore, Owings, and Merrill; partnership founded in 1939 by John O. Merrill
[1896-1975], Louis Skidmore [1897-1962], and Nathaniel A. Owings [1903- ])
1952—Lever House, New York (Gordon Bunshaft, partner in charge)
1963—Beinecke Rare Book and Manuscript Library, Yale University, New
Haven (Gordon Bunshaft, partner in charge)
Strickland, William
1818-1824—Second Bank of the United States, Philadelphia
1832-1834—Philadelphia (Merchant’s) Exchange
1845-1859—State Capitol, Nashville
Sullivan, Louis (1856-1924)—see also Adler and Sullivan
1898-1903—Schlesinger & Mayer Department Store (renamed Carson Pirie Scott
& Co. in 1904 and enlarged by Burnham in 1906), Chicago
1906-1908—National Farmer’s Bank, Owatonna, Minnesota
Town & Davis (Ithiel Town [1784-1844] and Alexander Jackson Davis [1803-1892])
1831-1835—Indiana State Capitol, Indianapolis
1832—La Grange Terrace, New York (with J. H. Dakin)
1833-1840—North Carolina State Capitol, Raleigh (with others)
1833-1842—United States Custom House, New York (with others)
Walter, Thomas U. (1804-1887)
1833-1848—Girard College for Orphans, Philadelphia
1839—First Baptist Church, Richmond
1851-1865—United States Capitol wings and dome, Washington
1852—United States Treasury Building Extension, Washington
White, Stanford (1853-1906)—see McKim, Mead, and White
Wright, Frank Lloyd (1867-1959)
1901—Ward Willits House, Highland Park, Illinois
1904—Darwin D. Martin House, Buffalo
1904—Larkin Company Administration Building, Buffalo, NY
1906—Unity Temple, Chicago
1908—Robie House, Chicago
1908-1912—Coonley House, Riverside, Illinois
1911—Taliesin, Spring Green, Wisconsin (remodeled 1914 and 1925)
1915-1922—Imperial Hotel, Tokyo
1924—Ennis House, Los Angeles
1936-1939—Fallingwater (Kaufman House), Mill Run, Pennsylvania
1936-1946—S. C. Johnson and Son Administration Building, Racine, Wisconsin
1938—Taliesin West, Scottsdale, Arizona
1956—Solomon R. Guggenheim Museum, New York
c. 2000 B. C.—Fig Island Shellring; North Edisto River, South Carolina
c. 800-1100—Cahokia (on the east side of the Mississippi opposite St. Louis)
1100-1275—Mesa Verde (southwest Colorado)
c. 1540—Funerary Temple, Cofitachiqui (central South Carolina; destroyed)
1610-1614—Palace of the Governors, Santa Fe, New Mexico
1632 St. Luke’s Church, Isle of Wight County, Virginia (tower after 1657)
c. 1655—Bacon’s Castle, Surry County, Virginia
1681—Old Ship Meeting House, Hingham, Massachusetts (additions 1731, 1755)
c. 1683—Parson Joseph Capen House, Topsfield, Massachusetts
c. 1684—John Ward House, Salem, Massachusetts
1701-1715—Capitol, Williamsburg, Virginia
1706-1719-- St. James’ Church, Goose Creek, South Carolina
1706-1720—Governor’s Palace, Williamsburg, Virginia
c. 1710—Archdale Hall, Dorchester County, South Carolina
1714—Mulberry Plantation, Berkeley County, South Carolina
1720-1731—San Jose y San Miguel de Aguayo; San Antonio, Texas
c. 1721-1723—second St. Philip’s Church, Charleston
1725-1730—Stratford Hall, Westmoreland County, Virginia
1727—Christ Church, Philadelphia (tower added by Robert Smith, 1750-1754)
1730-1735—Westover, Charles City County, Virginia
c. 1730—Rosewell, Gloucester County, Virginia (ruins)
1731-1753—State House (Independence Hall), Philadelphia; Andrew Hamilton
1738-1742—Drayton Hall, Charleston County, South Carolina
c. 1746-1750—Charles Pinckney House, Charleston; Charles Pinckney
1748-1750—Redwood Library, Newport, Rhode Island; Peter Harrison
1749-1754—King’s Chapel, Boston; Peter Harrison
1751—Sheldon Church, Beaufort County, South Carolina
1752-1761—St. Michael’s Church, Charleston; redesigned by Samuel Cardy
1757-1787—Mount Vernon, Fairfax County, Virginia; redesigned by George
Washington (portico added 1786-1787)
1758-1762—Mount Airy, Richmond County, Virginia; attributed to John Ariss
1749-1763—Touro Synagogue, Newport; Peter Harrison
1761-1762—Mount Pleasant, Philadelphia
1761-1772—Brick Market, Newport; Peter Harrison
c. 1765—Brandon, Prince George County, Virginia
1765-1769—Miles Brewton House, Charleston; attributed to Richard Moncrieff
1766—Exchange and Custom House, Charleston; William Rigby Naylor
1768-1782-- first Monticello, Albemarle County; Thomas Jefferson
1769-1771—Chase House, Annapolis
c. 1772—John Stuart House, Charleston
1773-1774—Hammond-Harwood House, Annapolis; William Buckland
1774-1775—First Baptist Meeting House, Providence; Joseph Brown
1767-1770—Tryon’s Palace, New Bern, NC; John Hawks (largely reconstructed)
c. 1780, 1785-1788—Virginia State Capitol, Richmond; Thomas Jefferson
1782, 1801—Jerathmiel Peirce (Nichols) House, Salem; Samuel McIntire
c. 1780—William Gibbes House, Charleston
1791-1805—San Gabriel Arcangel, Los Angeles
1792-1792—United States Capitol competion; William Thornton, first prize.
1792-1801—President’s House (White House), Washington; James Hoban (competition)
1793—Tontine Crescent, Boston; Charles Bulfinch
1795-1797—Massachusetts State House, Boston; Charles Bulfinch
1796-1809—second Monticello, Albemarle County; Thomas Jefferson
c. 1796—Middleton-Pinckney House, Charleston; Thomas Pinckney
1797—Country Builder’s Assistant by Asher Benjamin (Adamesque designs in the first
American architecture book)
1798-1800—Bank of Pennsylvania, Philadelphia; Benjamin Henry Latrobe
1798-1800—The Octagon, Washington; William Thornton
1800—South Carolina Society Hall competition; Gabriel Manigault, first prize
1802-1804, 1817—Custis-Lee Mansion, Arlington; George Hadfield (Doric portico,
1817)
1803-1817—main interiors of the United States Capitol, Washington; Latrobe with others
c. 1803—Lodge, Joseph Manigault House, Charleston; Gabriel Manigault
1804-1805—John Gardner (Pingree) House, Salem; Samuel McIntire
1804-1818—Baltimore Cathedral; Latrobe
1804-1808—third Harrison Gray Otis House, Boston; Bulfinch
c. 1805—Daniel Cobia House, Charleston
c. 1809—Nathaniel Russell House, Charleston
1812-1817—Monumental Church, Richmond; Robert Mills
1814—Commandant’s House, United States Arsenal, Pittsburg; Latrobe
1815-1818—La Purísima Concepción; between San Luis Obispo and Santa Barbara,
California
1817-1826—University of Virginia, Charlottesville; Thomas Jefferson
1818—Scarborough House, Savannah; William Jay
1818-1824—Second Bank of the United States, Philadelphia; William Strickland
1820—Bremo, Fluvanna County, Virginia; Thomas Jefferson
1820—portico of Custis-Lee Mansion, Arlington; George Hadfield
1820-1826—Washington City Hall; George Hadfield
1822-1826—Fireproof Building, Charleston; Robert Mills
c. 1822—William Mason Smith House, Charleston; William Jay
c. 1825—Lockkeeper’s House, Landsford Canal, South Carolina; Robert Mills
1827—Connecticut State Capitol, New Haven; Ithiel Town
1828—Unitarian Church, Quincy, Massachusetts; Alexander Parris
1828-1829—Tremont House [Hotel], Boston; Isaiah Rogers
1828-1829—Providence Arcade; RussellWarren and James Bucklin
1839-1846—Trinity Church, New York; Richard Upjohn
1839-1841—Milford, Sumter County, South Carolina; John Lawrence Manning and
Nathaniel F. Potter
1839-1842—Post Office Department, Washington; Robert Mills
1840-1841—Kahal Kadosh Beth Elohim, Charleston; Tappan & Noble
c. 1840—Hill House, Athens
1881-Austin Hall (Law School), Harvard University, Cambridge
1882-1885—Henry Villard Houses, New York; McKim, Mead, and White
1883-1888—Allegheny County Courthouse and Jail, Pittsburgh; H. H. Richardson
1884-1885—William Carson House, Eureka; Newsom Brothers
1884-1885—Home Insurance Building, Chicago; William LeBaron Jenney
1885-1887—Glessner House, Chicago; H. H. Richardson
1885-1887—Marshall Field Wholesale Warehouse, Chicago; Richardson
1885-1887—The Rookery Building, Chicago; Burnham and Root
1885-1888—Hotel Ponce de Léon, Saint Augustine; Carrère & Hastings
1886-1890—Auditorium Building, Chicago; Adler and Sullivan
1887-1891—Madison Square Garden, New York; McKim, Mead, and White (White)
1887-1898—Boston Public Library; McKim, Mead, and White
1888-1895—William K. and Alva Vanderbilt Mansion (Marble House), Newport;
Richard Morris Hunt
1888-1895—George W. Vanderbilt Mansion (Biltmore House), Ashville; Richard Morris
Hunt (with grounds by Frederick Law Olmsted)
1889-1890—Monadnock Building, Chicago; Burnham and Root (Root)
1889-1891—Second Leiter Building, Chicago; Jenney
1890-1891—Wainwright Building, St. Louis; Adler and Sullivan
1890-1895—Biltmore, Ashville; Richard Morris Hunt
1891-1894—Reliance Building, Chicago; Burnham and Root (begun by Root and redesigned by Charles B. Atwood, 1894-1895)
1892-1895—The Breakers (Cornelius Vanderbilt, II), Newport; Richard Morris Hunt
1892-1901—New York University, University Heights Campus, Bronx; McKim, Mead,
and White (White)
1893—World’s Columbian Exposition, Chicago; Burnham and Root et al. (temporary)
1893—Bradbury Building, Los Angeles; George H. Wyman
1893-1902—Columbia University, New York; McKim, Mead, and White (McKim)
1893-1915—Brooklyn Institute of Arts and Sciences (Brooklyn Museum); McKim,
Mead, and White (McKim)
1894-1895—Metropolitan Museum of Art entrance pavilion, New York; Richard Morris
Hunt (completed 1902 by Richard Howland Hunt)
1894-1896—Guaranty Building, Buffalo; Adler and Sullivan
1896-1900—University Club, New York; McKim, Mead, and White (McKim)
1897—Competition for the New York Public Library; Carrère and Hastings, 1902-1911
1898-1903—Schlesinger & Mayer Department Store (renamed Carson Pirie Scott
& Co. in 1904 and enlarged by Burnham in 1906), Chicago; Sullivan
1899-1901—Boston Symphony Hall; McKim, Mead, and White (McKim with Wallace
C. Sabine, consultant on acoustics)
1900-1905—Bank of Montreal; McKim, Mead, and White (McKim; enlargement)
1901—Ward Willits House, Hiland Park, Illinois; Frank Lloyd Wright
1901-1904—New York Stock Exchange; George Browne Post
1902—McMillan Commission’s plan for Washington, D. C.
1902-1911—Pennsylvania Station, New York; McKim, Mead, and White (McKim)
1904—Darwin D. Martin House, Buffalo; Frank Lloyd Wright
1904—Larkin Company Administration Building, Buffalo, NY; Wright (destroyed)
1905—Plaza Hotel, New York; Henry Janeway Hardenbergh
1906—Unity Temple, Chicago; Wright
1906-1908—National Farmer’s Bank, Owatonna, Minnesota; Louis Sullivan
1906-1914—St. Thomas Church, New York (Cram, Goodhue, and Ferguson)
1907-1910—International Bureau of American Republics, Washington; Paul Philippe
Cret
1908—Robie House, Chicago; Wright
1908—David B. Gamble House, Pasadena; Greene and Greene
1908-1912—Coonley House, Riverside, Illinois; Wright
1909-1918—Ford Motor Co., Highland Park Plant, Michigan; Albert Kahn
1911—Taliesin, Spring Green, Wisconsin (rebuilt 1914 and 1925); Wright
1911-1913—Woolworth Building (760’), New York; Cass Gilbert
1911-1922—Lincoln Memorial, Washington; Henry Bacon
1913—Palace of Fine Arts, San Francisco; Bernard R. Maybeck
1913—Grand Central Terminal, New York; Warren and Wetmore; Reed and Stem
1914-1917—Vizcaya, Miami; F. Burrall Hoffman and Diego Suarez
1915-1922—Imperial Hotel, Tokyo; Wright (largely destroyed)
1918—Freer Gallery, Washington; Charles Adams Platt
1922—Tribune Tower Competition, Chicago; first prize to Howell and Hood (building
completed 1925); second prize to Eliel Saarinen
1924—Ennis House, Los Angeles; Wright
1927-1929—Lovell House, Los Angeles; Neutra
1928-1930—Daily News Building, New York; Howells and Hood
1928-1931—Empire State Building, New York; Shreve, Lamb, and Harmon
1929—Chrysler Building, New York; William Van Alen
1929-1933—Rockefeller Center, New York; Reinhard and Hofmeister; Corbet,
Harrison and McMurray; and Hood and Fouilhoux (site plan and RCA
Building primarily by Hood)
1931—PSFS (Philadelphia Saving Fund Society) Building, Philadelphia; Howe and
Lescaze
1933-1935—National Archives Building, Washington; Pope
1936—first Herbert Jacobs House, Madison; Wright (Usonian)
1936-1939—Fallingwater (Kaufman House), Mill Run, Pennsylvania; Wright
1936-1942—S. C. Johnson and Son Administration Building, Racine, Wisconson; Frank
Lloyd Wright
1937—National Gallery of Art; Pope (completed by Eggers and Higgins, 1941)
1937—Strathmore Apartments, Los Angeles; Neutra
1938—Taliesin West, Scottsdale, Arizona; Wright
1945-1948—Equitable Building, Portland; Pietro Belluschi
1945-1951—Farnsworth House, Plano, Illinois; Mies van der Rohe
1945-1956—General Motor Technical Center; Eero Saarinen with Smith, Hinchman, and
Grylls
1947-1953—United Nations Buildings, New York; Harrison and Abramovitz, Le
Corbusier, Niemeyer, and Markelius
1948—Equitable Building, Portland; Pietro Belluchi
1948-1951—Lake Shore Drive Apartments, Chicago; Mies van der Rohe (associated)
1949-1950—Harvard University Graduate Center, Cambridge; Walter Gropius with TAC
1950-1956—Crown Hall, Illinois Institute of Technology (IIT), Chicago; Mies van der
Rohe (associated)
1952—Lever House, New York; SOM (Bunshaft)
1954-1958—Seagram Building, New York; Mies van der Rohe (associated)
1956—Solomon R. Guggenheim Museum, New York; Wright
1956-1962—Terminal, Trans World Airways, Kennedy Airport, New York; Eero
Saarinen
1957—Pan American Building, New York; Walter Gropius with Pietro Belluchi
1958-1962—Art and Architecture Building, Yale University; Paul Rudolph
1960-1964—CBS (Columbia Broadcasting System) Headquarters, New York; Eero
Saarinen
1962—Vanna Venturi House, Philadelphia; Robert Venturi
1962-1976—World Trade Center, New York; Minoru Yamasaki
1963—Beinecke Rare Book and Manuscript Library, Yale University; SOM (Bunshaft)
1963—Chicago Civic Center, Chicago; C. F. Murphy Associates, supervising architects;
SOM; Loebl, Schlossman & Bennett, associate architects
1963-1968—Ford Foundation Headquarters, New York; Roche and Dinkeloo
1964—Green Center for the Earth Sciences, MIT, Cambridge; Pei
1964—New York State Theatre, Lincoln Center, New York; Philip Johnson Associates
1966—Complexity and Contradiction in Architecture by Robert Venturi published by the
Museum of Modern Art, New York
1966-1972—Kimbell Art Museum, Fort Worth; Louis I. Kahn
1967—University Plaza, New York University; Pei
1967—Ford Foundation Building, New York; Roche & Dinkeloo
1968—Everson Museum of Art, Syracuse, NY; Pei
1958-1962—Art and Architecture Building, Yale University; Paul Rudolph
1964-1967—Hyatt Regency Hotel, Atlanta; John Portman and Associates
1975—Pacific Design Center, Los Angeles; Cesar Pelli
1975—Five Architects: Eisenman, Graves, Gwathmey, Hejduk, Meier published by
Oxford University Press, New York.
1978—Piazza d’Italia, New Orleans, La.; Charles Moore and August Perez Associates
1978--AT&T Building, New York; Johnson/Burgee Architects