Bibliography_by_Ned

Ned Hettinger’s Bibliography

mainly in the areas of

Environmental Ethics, Ethics and Animals, and Environmental Aesthetics

(Note: Rough copy with lots of misspellings)

Colorization of movies/photographs (see defense by James O. Young British Journal of Aesthetics 28 (1988) 368-72 and Yuriko Saito”Contemporary Aesthetic Issue: The Colorization Controversy” Journal of Aesthetics Education 23:2 1989 21-31

Philosophy & Public Policy Quarterly Volume 27, Number 3/4, Summer/Fall 2007; Environmentalism: Death and Resurrection Mark Sagoff;

The Gospel According to Conservation Biology, by Robert H. Nelson Abstract: the field of con bio presents itself as a science but its policy prescriptions reflect a powerful set of values. On closer examination, these values turn out to be religious and specifically to be derived from Christian sources. Conservation biologists need to pay more attention to this theological side of their discipline. Philosophy & Public Policy Quarterly Volume 27, Number 3/4, Summer/Fall 2007; http://www.publicpolicy.umd.edu/IPPP/quarterly.html

LARRY SHINER, YULIA KRISKOVETS (2007) The Aesthetics of Smelly Art Journal of Aesthetics and Art Criticism 65 (3), 273–286.

Rafael DeClercq, "The Concept of am Aesthetic Property," (JAAC, spring 2002) where he argues that value is an essential part of aesthetic properties

Always the Mountains By David Rothenberg Now Available in Paperback $18.95 | ISBN 978-0-8203-2953-6 U of Georgia Press

Everyday Aesthetics, Yuriko Saito Price: Oxford U. Press, £30.00 (Hardback) ISBN-10: 0-19-927835-0 ISBN-13: 978-0-19-927835-0 Estimated publication date: November 2007

Some Political Problems for Rewilding Nature, John Hintz Ethics, Place & Environment, Volume 10, Issue 2 June 2007 , pages 177 - 216 Recent studies in conservation biology have provided the wilderness preservation movement with a spark. Wilderness, we are told, can no longer be seen as a scenic playground for weary humans - it is, rather, an ecological necessity for the conservation of biodiversity. This paper traces the science and political ideologies that inspire and inform this reinvigorated cadre of environmentalists. Through empirical investigations of one prominent conservation group and one conservation campaign, the author finds that this environmentalism offers simplistic and purportedly self-evident solutions to the complex problems of biodiversity and wilderness conservation.

Engaging Berleant: A Critical Look at Aesthetics and Environment: Variations on a Theme

Renee Conroy Ethics, Place & Environment, Volume 10, Issue 2 June 2007 , pages 217 - 244

Joshua Gert, Neo-Sentimentalism and Disgust The Journal of Value Inquiry Volume 39, Numbers 3-4 / December, 2005 Pages 345-352

Christopher Knapp, "Demoralizing Disgust," Philosophical and Phenomenological Research, March, 2003.

Baylor Johnson, “Ethical Obligation sin Tragedy of the Commons,” Env Values 23,3, August 2003 and paper he gave at ISEE 07 http://www.environmentalphilosophy.org/ISEEIAEPpapers/2007/Johnson.pdf

Elizabeth Anderson, Value in Ethics and Economics Harvard 1993.

Gerald Gaus, Value and Justification: The foundations of Liberal Theory 1990 Cambridge

The Nature of Value and the Value of Nature: A Philosophical Overview Ben Rogers International Affairs (Royal Institute of International Affairs 1944-), Vol. 76, No. 2, Special Biodiversity Issue (Apr., 2000), pp. 315-323 (our library on line)

Glenn Parsons, “Theory, Observation, and the Role of Scientific Understanding in the Aesthetic Appreciation of Nature,” Canadian Journal of Philosophy 36 (2006) 165-186

Glenn Parsons, “The Aesthetics of Nature,” Philosophy Compass 2 (2007) Published article online: 23 Mar 2007 The aesthetics of nature is a growing sub-field of contemporary aesthetics. In this article, I outline the view called ‘Scientific cognitivism’, which has been central in recent discussions of nature aesthetics. In assessing two important arguments for this view, I outline some recent thinking about key issues for the aesthetics of nature, including the relationship between nature and art and the relevance of ethical considerations to the aesthetic appreciation of nature.

Vitor Stenger, God, The Failed Hypothesis: How Science Shows that God Does Not Exist Prometheus, 2007

Rachels, James, 1978. “What People Deserve,” in John Arthur and William H. Shaw, eds., Justice and Economic Distribution, (Englewood Cliffs, N.J.: Prentice-Hall), pp. 150-163.

Korsmeyer, Carolyn, 2005. “Terrible Beauties, ” in Matthew Kieran, ed., Contemporary Debates in Aesthetics and the Philosophy of Art (Malden, MA: Blackwell), pp. 51-64.

Walton, Kendall (2002), “Morals in Fiction and Fictional Morality,” in Alex Neill and Aaron ridley, Arguing About Art, 2^nd ed. (New York: Routledge).

Saito, Yuriko Everyday Aesthetics Philosophy and Literature - Volume 25, Number 1, April 2001, pp. 87-95 I have

Corporal Compassion: Animal Ethics and Philosophy of Body (Hardcover)

by Ralph R. Acampora (Author) U. Of Pittsburgh Press 2006

Biodiversity and Environmental Philosophy: An Introduction (Cambridge Studies in Philosophy and Biology) (Hardcover) by Sahotra Sarkar Cambridge 2005 In Library

Jay Odenbaugh responds to Sarkar in Biology and Philsophy.

Sinnott-Armstrong, “It’s Not My Fault: Global Warming and Individual Moral Obligation” in Perspectives on Climate Change: Science, Economics, Politics, Ethics, ed. Walter Sinnott-Armstrong and Richard Howarth (Elsevier, 2005)

May, R., J. Lawton, and N. Stork (1995) “Assessing Extinction Rates,” in /Extinction Rates/ (eds.) J. Lawton and R. May, Oxford: Oxford University Press.

1.Rosenzweig, M. (2003) “Reconciliation Ecology and the Future of Species Diversity,” /Oryx /37:194-205.

Petra Andersson Humanity and Nature: Towards a Consistent Holistic Environmental Ethics 2007 (I have. She sent me. Looks interesting. Possibly good on relation human and nature and degrees of natural.

Begin search for library buying October 11, 2006

Michael Pollan, NY Times around May 16, 2006 “Walmart goes organic; now the bad news”

George Sessions, “Wildness, Cyborgs, and Our Ecological Future: Reassessing the Deep Ecology Movement” the Trumpeter Volume 22, Number 2 (2006) I have on computer. Makes reference to my and Bill Throop’s paper

Aes stuff I need to read:

Paradoxes and Puzzles: Appreciating Gardens and Urban Nature

by Stephanie Ross VOLUME 4 (2006) Contemporary Aesthetics: http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=400 To explore our appreciation of gardens and urban nature, I propose a recursive definition of original or wild nature together with guidelines for discerning degrees of naturalness. Arguing (contra Robert Elliott) that nature can be restored as well as degraded, I characterize four varieties of urban nature – interrupted, altered, constructed, and virtual. I build on Stan Godlovitch's comments about scale to suggest two modes of appreciation – macroscopic and fine-focused. I close by discussing some particular examples – parks, environmental art, gardens – and drawing some conclusions for the appreciation of vernacular gardens

Agriculture, Aesthetic Appreciation and the Worlds of Nature

by Pauline von Bonsdorff http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=325

ABSTRACT Agriculture has received relatively little attention in environmental aesthetics, given its importance culturally for the physical sustenance of societies and from an eco-system perspective. In this article I take some steps towards developing a life-world approach to the agricultural landscape, where the intimate and long-term relationship between farmer and land is understood as having the potential for being a norm rather than the opposite of an aesthetic appreciation of landscape. This requires a narrative understanding of landscape, where culture and nature are seen as plural and relative to each other. I claim that the aesthetic competence of the farmer is inseparable from personal interest, which makes appreciation more acute and vivid both in perceiving nuances and in realising the existential drama of landscape. Finally I suggest that practicing agriculture is a genuine way of knowing nature and that some familiarity with agriculture should be included in all environmental education. Contemporary Aesthetics: Volume 3 2005,

Aaron Smuts Are Video Games Art? Contemporary Aesthetics: Volume 3 2005, http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=299

In this paper I argue that by any major definition of art many modern video gamesshould be considered art. Rather than defining art and defending video games based on a single contentious definition, I offer reasons for thinking that video games can be art according to historical, aesthetic, institutional, representational and expressive theories of art. Overall, I argue that while many video games probably should not be considered art, there are good reasons to think that some video games should be classified as art, and that the debates concerning the artistic status of chess and sports offer some insights into the status of video games.

Tiffany Sutton Immersive Contemplation in Video Art Environments also in Contemporary Aesthetics: Volume 3 2005,

Yuriko Saito Machines in the Ocean: The Aesthetics of Wind Farms Contemporary Aesthetics: Volume 2 2004,

Jon Boone The Aesthetic Dissonance of Industrial Wind Machines

Yuriko Saito Response to Jon Boone’s Critique

Both in . Contemporary Aesthetics: Volume 3 2005 available on line at

http://www.contempaesthetics.org/newvolume/pages/journal.php?volume=3

Wolfgang Welsch Animal Aesthetics Contemporary Aesthetics: Volume 2 2004,

Arnold Berleant and Ronald Hepburn An Exchange on Disinterestedness Contemporary Aesthetics Vol 1 2003

Glenn Parsons review of Budd’s The Aesthetic Appreciation of nature, Mind vol 113 (2004), 741-744.

Glenn Parsons Moderate Formalism as a Theory of the Aesthetic”, Journal of Aes Education 38 2004 1-17.

Glenn Parsons, “Natural functions and the aes app of inorganic nature,” British Journal of Aesthetics 44 (2004) 44-56.

1.30-3.3 Nick Zangwill (University of Durham) "Clouds of Illusion in the Aesthetics of Nature" Respondent: Amelie Rorty (Harvard University) On Friday March 9, 2007 the Department of Philosophy at Boston University 1)will host the annual Karbank Symposium in Environmental Philosophy.

Jerrold Levinson (ed.), The Oxford Handbook to Aesthetics (Oxford: Oxford University Press, 2003), includes:

Part One: Background Philosophical Aesthetics: an Overview , Jerrold Levinson

2. History of Modern Aesthetics , Paul Guyer

3. Part Two: General Issues in Aesthetics Aesthetic Realism 1 , Nick Zangwill

4. Aesthetic Realism 2 , John Bender

5. Aesthetic Experience , Gary Iseminger

6. Beauty , Nick Zangwill

7. Aesthetics of Nature , Malcolm Budd

8. Definition of Art , Robert Stecker

9. Ontology of Art , Stephen Davies

10. Medium in Art , David Davies

11. Representation in Art , Alan Goldman

12. Expression in Art , Aaron Ridley

13. Style in Art , Stephanie Ross

14. Creativity in Art , Philip Alperson

15. Authenticity in Art , Denis Dutton

16. Intention in Art , Paisley Livingston

17. Interpretation in Art , Gregory Currie

18. Value in Art , Robert Stecker

19. Humour , Noel Carroll

20. Metaphor , Ted Cohen

21. Fiction , Peter Lamarque

22. Narrative , George Wilson

23. Tragedy , Aaron Ridley

24. Art and Emotion , Alex Neill

25. Art and Knowledge , Berys Gaut

26. Art and Morality , Matthew Kieran

27. Art and Politics , Lydia Goehr

28. Part Three: Aesthetic Issues of Specific Artforms Music , Stephen Davies

29. Painting , Susan Feagin

30. Literature , Paisley Livingston

31. Architecture , Gordon Graham

32. Sculpture , Robert Hopkins

33. Dance , Noel Carroll

34. Theatre , Paul Woodruff

35. Poetry , Alex Neill

36. Photography , Nigel Warburton

37. Film , Berys Gaut

38. Part Four: Further Directions in Aesthetics Feminist Aesthetics , Mary Devereaux

39. Environmental Aesthetics , John Fisher

40. Comparative Aesthetics , Kathleen Higgins

41. Aesthetics and Evolutionary Psychology , Denis Dutton

42. Aesthetics and Cognitive Science , Gregory Currie

43. Aesthetics and Ethics , Richard Eldridge

44. Aesthetics of Popular Art , David Novitz

45. Aesthetics of the Avant-Garde , Gregg Horowitz

46. Aesthetics of the Everyday , Crispin Sartwell

47. Aesthetics and Postmodernism , Richard Shusterman

48. Aesthetics and Cultural Studies , Deborah Knight

Anthony Savile, The Test of Time (oxford 1982), ch 8 on how aes of nature should be like aes app of art.

Karen Green, “Two Distinctions in Env. Goodness,” Env Values 51 31-46 1996.

Simon Hailwood, 1999, “Towards a Liberal Environment” Journal of Applied Philosophy 16: 271-81: has a section arguing that nature’s otherness has value. Nature as other

Bruze Foltz’s view “On Heidegger and the Interpretation of Env. Crisis” Env ethics 6, 1984, p. 30

J. Baird Callicott "The Land Aesthetic," in Armstrong and Botzler, Environmental Ethics: 148-157; and in Christopher Key Chapple, Ecological Prospects: 169-183.

J. Baird Callicott “Wetland Gloom, Wetland Glory,” Philosophy and Geography 6 (2003): 33-45.

Sepanmaa argues for need for such applied env. Aes in Beauty of Env and in “Applied Aesthetics” in Art and Beyond: finish Approaches to Aes eds Ossi Naukkarinen 1955, pp. 226-248.

Paul Gobster, “An Ecological Aesthetics for Forest Landscape Management” Landscape Journal Volume 18, 1, spring 1999 page 54 Although aesthetics and ecological sustainability are two highly regared values of forest landscapes, practices developed to manage forests for these values can sometimes conflict with one another. In this paper I argue that such conflicts are rooted in our conception of forest aesthetics as scenery, and propose that a normative, `ecological aesthetic` based on the writings of Aldo Leopold and others could help resove conflicts between aesthetic and sustainability values. I then offer suggestions on how we might advance an ecological aesthetic in policy and planning programs, on-the-ground management, and research and theory developement in landscape aesthetics. I have and available at http://72.14.253.104/search?q=cache:eNk1u3ykIAoJ:ncrs.fs.fed.us/pubs/jrnl/1999/nc_1999_Gobster_001.pdf+callicott+aesthetic&hl=en&gl=us&ct=clnk&cd=8

Callicott, "Wetlands: Gloom or Glory" -- paper for the Conference on Environmental Aesthetics, Utah State University, Logan Utah, September 27, 2002.

Four papers focused on issues in environmental aesthetics: Yrjö Sepänmaa’s “How to Speak of Mount Koli? The Exemplary Position of Koli in Environmental Research,” Glenn Parsons’s “Knowledge, Perception and the Aesthetic Appreciation of Nature” and Ira Newman’s “The Dream of an Autonomous Natural Aesthetic: Leopold and Callicott on the Land Aesthetic.”

Russow, Lilly-Marlene. (1981). "Why Do Species Matter?" Environmental Ethics (3), 101-12.

Stan Godlovitch, SOME THEORETICAL ASPECTS OF ENVIRONMENTAL AESTHETIC. S GODLOVITCH The Journal of aesthetic education 32:44, 17-26, University of Illinois Press, 1998.

S GODLOVITCH - The Journal of aesthetic education, 1990

Boors and Bumpkins, Snobs and Snoots. S GODLOVITCH The Journal of aesthetic

education 24:22, 65-73, University of Illinois Press, 1990. ...

Godlovitch, Positive aesthetics and Conservation Priorities unpublished

Stan Godlovitch, VALUING NATURE AND THE AUTONOMY OF NATURAL AESTHETICS

Arthur Danto, “The Artistic Enfranchisement of Real Objects, the Artworld,” Journal of Philosophy 61 (1964): 571-584

Nelson Potter, “Aesthetic value in Nature and in the Arts,” in Hugh Curtler, ed., What is Art? 1983

Ralph Winn, “The Beauty of Nature and Art,” Journal of aesthetics and Art Criticism 2 1942, 3-13.

J.M. Moravcsik, “Beauty in Art and in Nature,” Philosophical Studies, vol 38 (1980).

Allen Carlson, “Budd and Brady on the Aesthetics of Nature," Philosophical Quarterly 55 (2005): 107-114.

Brady, E. 2006. 'Aesthetics in Practice: Valuing the Natural World', Environmental Values, 15:3, 277-291.

Brady, E. 2006.'The Aesthetics of Agricultural Landscapes and the Relationship between Humans and Nature', Ethics, Place and Environment, 9:1, 1-19.

Brady, E., Holland, A. and Rawles, K. 2004.'Walking the Talk: Philosophy of Conservation on the Isle of Rum,' Worldviews: Environment, Culture, Religion, 8:2, 280-297.

Brady, E. and Brook, I. 2003. 'Topiary: Ethics and Aesthetics,' Ethics and the Environment, 8:1, 127-42.

Gordan Graham, Philosophy of the Arts, (Rutledge) various editions, has section on Aesthetics of nature and objectivity/subjectivity.

Stephen Davies, Philosophy of Art (an intro).

Lamarque and Olsen, eds., Aesthetics and the Philosophy of Art: The Analytic Tradition (Blackwell Philosophy Anthologies) looks like good for class?

Objectivity in aes

John Bener, “Supervenience and the Justifiaction of Aesthetic Judgments” JAAC 46:1, 1987 31-40.

Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite

by Marjorie Hope Nicolson, Marjorie H. Nicholson, * Paperback - REPRINT * ISBN: 0295975776

Carlson reply to Saito Is there a correct ....1986 journal of aes ed.

Nick Zangwill, The Metaphysics of Beauty, Cornell University Press, 2001.

Nick Zangwill says he is working on The aesthetics of inorganic nature (more reasons to be formalist).

Nick Zangwill, Formal Natural Beauty (defense of formalism in reply to Carlson and Budd) “Formal Natural Beauty”, Proceedings of the Aristotelian Society, 2001. I have.

Nick Zangwill,“In Defense of Extreme Formalism about Inorganic Nature: Reply to Parsons”, British Journal of Aesthetics, 2005.

Intro to Carlson’s and Berleant’s The Aesthetics of Natural Environments

And in side:

Ronald Moore, App Natural Beauty as Natural

Don Crawford Scenery and the Aes of Nature

Foster?, Berleant? Sepanmaa?

Canadian Journal of Philosophy special issue on env. Aesthetics

Journal of Aes Education special issue on env. Aesthetics

Allen Carlson: What is the Correct Curriculum for Landscape? In Andrew Light and Jonathan M. Smith: Introduction: Everyday Aesthetics and the Aesthetics of the Everyday (Columbia, 2005)

Alan Goldman, “the Experiential Account of Aesthetic Value” in JAAC 64,3 (Summer 2006): 333-342.

Willard. D. “On preserving nature’s aesthetic features” Environmental Ethics, 1980, Vol 2 (4), pp. 293-310.

Thomas Kapper, “Bringing Beauty to Account in the Environmental Impact Statement: The Contingent Valuation of Landscape Aesthetics” Environmental Practice (2004), 6: 296-305 Cambridge University Press Landscape aesthetic values can easily be overlooked or undervalued in the environmental impact statement (EIS) process. Public sector projects may underestimate the aesthetic damage they cause, which, if fully considered, could alter the types of projects undertaken or the form those projects take. This article seeks to more persuasively represent the aesthetic damage wrought by a public project by attaching to it a dollar figure. Cost-benefit analysis is often incorporated into the EIS, but for cost-benefit analysis to be valid, all costs and benefits must be fairly represented. To exclude aesthetic value from the analysis on the basis that beauty is intangible or priceless is to assign it a de facto value of zero in cost-benefit calculations. The monetizing of aesthetics is approached by integrating the methods of economic contingent valuation with landscape aesthetic assessment. Economic values and aesthetic values can be reconciled; a demonstration of the integration of methods is provided.

Glenn Parsons, “Nature Appreciation, Science and Positive Aesthetics” British Journal of Aesthetics 42,3, July 2002.

Patricia Matthews, Aesthetic Appreciation of Art and Nature, British Journal of Aesthetics 41,4 October 2001

David Richardson, “Nature-Appreciation Conventions and the Art World,” British Journal of Aesthetics 16 1976, pp. 186-191.

on preserving the natural environment, mark sagoff Yale Law Journal 1974

Donald Crawford, Comparing Natural and artistic beauty in Salim Kermal and Ivan Gaskell, Landscape, Natural Beauty and the Arts (Cambridge, 1993). On how two are differeint and art thought to be superior in some ways

Yuriko Saito, “the greening of aes”Copen www.publicnature.com/co-gen 2004

Robert L. Thayer, Jr., Gray World, Green Heart: Technology, Nature, and the Sustainable Landscape (New York: John Wiley & Sons, 1994),

Aesthetics, Community Character, and the Law, Christopher Duerksen, Matthew Goebel

American Planning Association Publication, 1999 (Saito says helps with the thick env. Values)

John Fisher, Env. Aesthetics in in Jerrold Levinson (ed.), The Oxford Handbook to Aesthetics (Oxford: Oxford University Press, 2003), pp. 667

Matthew Kieran:

“Aesthetic Value: Beauty, Ugliness and Incoherence”, Philosophy, Vol. 72, No. 2, July 1997, pp. 383-399.

“In Defence of the Ethical Evaluation of Narrative Art”, British Journal of Aesthetics, Jan. 2001, pp. 26-38.

“A Divine Intimation: Appreciating Natural Beauty”, Journal of Value Inquiry, vol. 31, No. 1, 1997, March, pp. 77-95.

“The Value of Art” in Berys Gaut and Dominic McIver Lopes (eds.) Routledge Companion to Aesthetics (London: Routledge, 2001), pp. 215-225 (new edition in press) we have in library

# “Forbidden Knowledge: The Challenge of Cognitive Immoralism” in S. Gardner and J. Bermudez (eds.), Art and Morality (London: Routledge, 2002) (I have)

Matthew Kieran, Art, Morality and Ethics: On the (im)Moral Character of Art Works and Inter-Relations to Artistic Value” Philosophy Compass ½ 2006 129-143 (I have)

Matthew Kieran, “Art and Morality” in Jerrold Levinson (ed.), The Oxford Handbook to Aesthetics (Oxford: Oxford University Press, 2003), pp. 451-470.

T.J. Diffey, “Experiencing Nature and Experiencing Art,” in Art and Experience, ed. Ananta Sukla (Praeger, 2003)

The Aesthetics of Human Environments. Co-edited Berleant and Allen Carlson. (Peterborough, Ont: Broadview, forthcoming 2006 ).

Check the bib in Fisher’s env. aesthetics intro book proposal for more articles.

Brady, E., “Don’t Eat the Daisies: Disinterestedness and the Situated Aesthetic,” Environmental Values, 7:1, February 1998, 97-114.

Godlovitch, “Things Change: So Whither Sustainability?” Environmental Ethics 20 (fall 1998).

Jason Hanna (University of Colorado at Boulder), “Wonder, Science, and the Aesthetic Appreciation of Nature” ask John Fisher jason.hanna@colorado.edu

Beauty to Duty: From Aesthetics to Environmentalism, (with Allen Carlson) forthcoming, Columbia University Press.

Articles by Sheila Lintott "Toward Eco-Friendly Aesthetics," forthcoming in Environmental Ethics and "Adjudicating the Debate Over Two Models of Nature Appreciation," Journal of Aesthetic Education, 2004; 38 (3), 52-72.

Dan Jacobson 1996, “Sir Philip Sidney’s Dilemma: On the Ethical Function of Narrative, Journal of Aesthetics and Art Criticism 54: 327-36.

Daniel Jacobson in praise of immoral art Phil Topics XXV 1 spring 1994

Haig Khatchadourian, 1982 “Natural Beauty and the Art of Living,” Journal of Aesthetic Education 16 1, 95-98.

Dickie, George, "Reply to Noël Carroll", Journal of Aesthetics and Art Criticism 55: 3

The Aesthetics of Agricultural Landscapes and the Relationship between Humans and Nature

Emily Brady A1 Ethics, Place & Environment

Publisher: Routledge, part of the Taylor & Francis Group

Issue: Volume 9, Number 1 / March 2006

A1 Institute of Geography, University of Edinburgh, Edinburgh, UK

Abstract:

The continuum between nature and artefact is occupied by objects and environments that embody a relationship between natural processes and human activity. In this paper, I explore the relationship that emerges through human interaction with the land in the generation and aesthetic appreciation of industrial farming in contrast to more traditional agricultural practices. I consider the concept of a dialectical relationship and develop it in order to characterise the distinctive synthesising activity of humans and nature which underlies cultivated environments. I argue that a more harmonious relationship, and greater aesthetic value, may be located within traditional farming landscapes. This position is supported and illustrated through a discussion of two agricultural practices in the UK, hedge-laying and stonewalling.

Marianne O’Brien, “the Aesthetic Significance of Nature’s Otherness,” Environmental Values 15, 1 Feb 2006: pp. 99-11

Refers to another paper in Env. Values on nature’s otherness I need to read.

Fisher paper

Jason’s History of Art, 7^th ed.

Jonathan Maskit, Towards A Post-Industrial Environmental Aesthetics” Lecture at Denison spring 2006.

Marcia Eaton, in Merit, Aesthetic and Ethical had chapter on “Aesthetics and Ethics in the Environment”

Eaton, Marcia, (1992). “Integrating the Aesthetic and the Moral, ” Philosophical Studies 67: 3, pp. 219-240. John says probably discuss mushroom clouds I have.

Beardsley “The Aesthetic Point of View” Beardsley, M.: "The aesthetic point of view," reprinted in The Aesthetic Point of View: Selected Essays, ed. Michael J. Wreen and Donald M. Callen (Ithaca: Cornell University Press, 1982), pp. 15-34.

Patricia Matthews “Scientific Knowledge and the Aes App of Nature,” Journal of Aesthetics and Art Criticism 60 (2002) 37-48. I have.

Patricia Matthews, Aesthetic Appreciation of Art and Nature, British Journal of Aesthetics 41,4 October 2001

Glenn Parsons “Is the Aesthetic appreciation of Nature Objective?” I have

Don Crawford on above: “Parsons on the Objectivity of the Aesthetic Appreciation of Nature”

Stan Godlovitch, Aesthetic protectionism, Journal of Applied Philosophy 6,2 1989 pp. 171-181 I have.

Environmental experience: Beyond Aesthetic Subjectivism and objectivism, Veikko Rantalla, Thinkmount working paper serioes on Philosophy of conservation (I have)

Robert Stecker, “The Correct and the Appropriate in the Appreciation of Nature, The British Journal of Aesthetics 37: 1997: 393-403.

David Ferer (sp?), ‘Aes App in the artworld and natural world” Env. Values 12 3-28, 2003.

Loftis’ review of Carlson and Berleant’s book.

Stan Godlovitch “Offending against nature,” Env. Values 7, 1998

Marcia Eation, “Morality and Aesthetics: Contemporary Aesthetics and Ethics,” in Encyclopedia of aesthetics / editor in chief, Michael Kelly. New York : Oxford University Press, 1998. Need to read

YiFuTan, Topophilia: A study of Env. Perception, Attitudes and Value Prentice Hall 1974.

Hepburn, Ronald 1984 Wonder and other Essays, includes Nature in the Light of Art, p. 47 where he says some parts of nature may be “irremediably inexpressive, unredeemably characterless, and aesthetically null”.

S. Godlovitch, "Evaluating Nature Aesthetically" Journal of Aesthetics and Art Criticism 56 (1998). I have Against positive aes: Just s there are rotten violinists, so there must be pathetic creeks; just as there is pulp fiction, so there must be junk species; just as there are forgettable means, so there must be inconsequential forests.”

Cheryl Foster, "Aesthetic Disillusionment: Environment, Ethics, Art" Env. Values 1,3 1992. (I have)

“Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value” By Matthew Kieran, University of Leeds (February 2006) Philosophy Compass

Knowing Art: Essays in Aesthetics and Epistemology, ed. By Matthew Kieran and others (Springer, 2007) Editors’ Acknowledgments.- Notes on Contributors.- Introduction; M. Kieran and D. McIver Lopes.- Part I Knowing Through Art.- 1 Knowing Content in the Visual Arts; K. Lehrer.- 2 Pictures, Knowledge, and Power: The Case of T. J. Clark; D. Matravers.- 3 Narrating the Truth (More or Less); S. Friend.- 4 Fiction and Psychological Insight; K. Stock.- 5 Art and Modal Knowledge; D. Stokes.- 6 Charley’s World: Narratives of Aesthetic Experience; P. Goldie.- Part II Knowing about Art.- 7 Really Bad Taste; J. Prinz.- 8 Solving the Puzzle of Aesthetic Testimony; A. Meskin.- 9 Critical Compatibilism; J. Shelley.- 10 Critical Reasoning and Critical Perception; R. Hopkins. References.

Contemporary Debates in Aesthetics and the Philosophy of Art Edited by: Matthew Kieran (Blackwell, 2005)

Acknowledgments

List of Contributors

A Conceptual Map of Issues in Aesthetics and the Philosophy of Art: Matthew Kieran

How are artistic experience and value inter-related?

1. Aesthetic Empiricism and the Challenge of Fakes and Ready-mades : Gordon Graham

2. Against Enlightened Empiricism: David Davies