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EMILY REMINGTON MASTER ARTIST
KENNETH FULTON CONDUCTS ON COLLEGE CONCERT SERIES
This years Emily Remington Master Artist, choral conductor
Kenneth Fulton, conducted the award-winning College of Charleston
Choir on the Colleges Monday Night Concert Series, Feb.
25. Dr. Robert Taylor, Director of Choral Music at the College,
was featured in the first part of the program. He conduct ed
Paulus Visions of Hildegard. Fulton conducted
Chesnokovs Ne imami iniya, Pachelbels
Magnificat in G, and Mechams Lighthearted
Lovers. Additionally, Fulton offered a master class
for music students on Tuesday, Feb. 25.
Apart from presiding as
chair of graduate choral studies and Professor of Choral Music
at Louisiana State University, Fulton conducts the critically
acclaimed LSU A Cappella Choir and acts as Chorusmaster and Assistant
Conductor for the Baton Rouge Symphony and Symphony Chorus. He
was recently appointed as Artistic Conductor for the Linz Summer
Choral Music Institute in Linz, Austria. Fulton has performed
professionally in 32 states, and his choruses have performed and
won awards in 11 different countries including France, Germany,
the Netherlands, England, Wales, Scotland, Austria, Italy, Switzerland
and the Czech Republic. Nationally, his choruses have given
18 invitational performances for organizations such as the American
Choral Directors Association, the College Music Society and the
Music Educators National Conference.
Fultons written work, which includes articles
on artists such as William Walton, Don Carlo Gesualdo and William
Byrd, has appeared in publications such as the Choral Journal
and the American Guild of Organists magazine. His own choral music
series was published by Alliance Music Company. Fulton served
on the National Editorial Board for the Choral Journal for six
years and is a past President of the Southern Division of the
American Choral Directors Association, the Texas Choral Directors
Association and the Louisiana ACDA.
Master artist and teacher, Emily Remington was founder and conductor
of the Charleston Symphony Singers Guild, organist/choirmaster
for Grace Episcopal Church, and was a Department of Music faculty
member at the College. The Emily Remington Endowment Series was
established to bring the finest regional musicians and teachers
to perform publicly at the College and to teach a master class
in the Department of Music.
Dr. Robert Taylor conducts
the Charleston Symphony Singers Guild and directs the Charleston
Symphony Orchestra Chorus and Chamber Singers. He is the founding
conductor and music director of the Bob Taylor Festival Choir
and serves as the Director of Liturgical Music at Sacred Heart
Catholic Church.
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College of Charlestons International
Piano Series Presents American Pianist
The International Piano Series at the College of
Charleston continued its 12th season Tuesday, February 19th, with
American pianist Roger Wright. The program included Partita
in e minor by Bach, Sonata in B-flat major by Franz Schubert,
and Winnsboro Cotton Mill Blues by Frederic Rzewski.
Wright, one of two American pianists in the 2001
Van Cliburn International Competition, has won many prizes including:
the First Prize of the Frinna Awerbuch International Piano Competition,
which led to his debut at Carnegie Recital Hall in New York.
Mr. Wright received the Silver Medal at the 1997 San Antonio International
Piano Competition, as well as a special prize for the Best Performance
of the Commissioned Work. Mr. Wright also was a prizewinner
in the Esther Honens Calgary International Piano Competition;
he performed with the Calgary Philharmonic Orchestra in Rachmaninoffs
Third Concerto.
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College of Charleston piano students Fabiana Claure
and William Villaverde were among the five winners at the Arthur
Fraser Piano Competition held February 2 at the University of
South Carolina. Both are students of Enrique Graf.
The Arthur Fraser Piano Competition was sponsored by the Symphony
League of the S.C. Philharmonic Orchestra. More than two dozen
pianists from colleges, universities, and high schools across
the state entered the contest by submitting tapes. Judges selected
12 finalists and on February 2 each finalist came to the University
of South Carolina to perform one movement of a Mozart concerto.
The five winners were selected with each receiving a $1,000 prize.
Next, the five pianists will perform with the S.C. Philharmonic
Orchestra on March 5 and March 7. The performer chosen most outstanding
by the audience will receive another $1,000.
Born in Chicago, Fabiana Claure was raised in Bolivia and has
studied in Cuba. William Villaverde was born and raised in Cuba.
The three other winners were Nathalie Clement from Winthrop University,
Bobby Lekov from the University of South Carolina, and Diexia
Wang from Dutch Fork High School.
Two other students of Enrique Graf, Bernard Krafsig and Edward
Leonard, made the group of 12 finalists.
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COLLEGE OF CHARLESTONS CHARLESTON PRO
MUSICA PERFORMED A MUSICAL RENAISSANCE ON SCETVS
MARCH FESTIVAL 2002 ON MARCH 6th.
South Carolina ETVs March Festival 2002 was
jam-packed with music specials that cover styles from R&B
to Classical, including performances from both legendary artists
and up-and-coming performers. One of SCETVs productions
in the line-up was A Musical Renaissance which aired Wednesday,
March 6 at 8 p.m.
Under the direction of Steve Rosenburg, Chair of
the Department of Music in the School of the Arts, A Musical Renaissance
presented a vibrant performance by the Charleston Pro Musica against
the enchanting backdrop of Colmars, France. The ensemble delivered
Medieval and Renaissance music using authentic instruments of
the time period. The ancient church of the walled city of Colmars
lent itself brilliantly in providing the perfect acoustic and
aesthetic tone for the instrumental and vocal performances. Interspersed
throughout the program, images of Provence and the Alpes region
of France complemented the music. Performances include Newcastle,
Come Lasses and Lads, Ma Petite Colombell, Ma Bergere My
Shepherdess, My Light, and a Rosenberg arrangement of Ashokan
Farewell from Ken Burns Civil War. The groups
prior performance in France helped with the formation of the College
of Charlestons campus in the village of Annot, which is
about an hour from Nice.
The Charleston Pro Musica is an eclectic mix of
students, former students, and retirees. Featured in the ensemble
is: Edwin Blanton - recorders & gemshorn; Catherine Clifton
- cello; Marsha Evans - recorders & gemshorns; Lewis Fitch
- recorders, cornamuse, gemshorn, & guimbard; David Heywood
- recorders & gemshorn; Jose Lemos - countertenor; Danny Mallon
- percussion; Geronimo Oyenard - violin; Meredith Varn - soprano;
Steve Rosenberg, Renaissance guitars & recorders.
The 2002 Piccolo Spoleto will feature this group
in the Early Music Series in the beautiful setting of the French
Huguenot Church, 136 Church Street and St. Philips Church,
142 Church Street. All performances are at 3 p.m.
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Music News continued
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