The white
world is feverishly anxious to know of our thoughts, our hopes, our
dreams.
Organization is our strongest weapon.
–Jessie
Fauset “Impressions of the Second Pan-African Conference” The
Crisis 1921.
Biography-Criticism
Jessie Redmon Fauset was an instrumental writer and literary
editor during the Harlem Renaissance. Born on April 27, 1882 in Camden,
New
Jersey, she was the seventh child born to her parents Redmon Fauset and
Annie
Seamon Fauset. Fauset attended the High School for Girls in
Philadelphia.
Despite the fact that she was the only black person in attendance at
that
school, she went on to graduate with honors in 1900.
Fauset first attempted to pursue her college education at
Bryn Mawr College. However, officials there refused to accept her so
she
instead attended Cornell University. Her focus was on languages and she
graduated in 1905. During this time she also was awarded the
accomplishment of
becoming the first black woman to be elected to Phi Beta Kappa, and the
only
black graduate to do so at Cornell before 1921.
Fauset completed college with a bachelor of arts from
Cornell University, a master of arts in French at the University of
Pennsylvania in 1929 and a certificate from Sorbonne, University of
Paris.
After graduating from college, Fauset went on to pursue a career as a
teacher.
She tried to seek employment within the Philadelphia school system but
she was
denied a position because of her race. She ended up moving to
Washington D.C.
where she successfully taught French at an all black school for 14
years.
The end of her teaching career in Washington marked the
beginning of her career as a literary editor. She left her teaching
job, in
1919, after being asked by W.E.B Du Bois to move to New York to work
with him
for
The Crisis magazine.
The Crisis magazine was
a major publication of the Harlem Renaissance that was put forth by the
NAACP.
In her position as literary editor, she was able to discover and give
rise to
many black writers that would soon become very popular. One of those
writers
was Langston Hughes who proclaimed Fauset to be one of the three “mid
wives”
who helped to guide black artistic development.
In addition to literary editor, Fauset was also an essayist,
poet, and accomplished novelist. She was best known as a writer of
fiction,
having had many of her short stories published in
The
Crisis. In the 1920s, she began to work on her first
novel titled
There Is
Confusion. Published in 1924,
There
Is Confusion was a fictitious story that sought to set
straight the depiction of black life and experiences. This novel was
well
received and it also ended up being issued in a second edition in 1928.
Her
second and what is considered to be her best work was the novel
Plum Bun, published in 1929. This
novel dealt with the issue of being of mixed race and passing for
white. What
makes this novel even more interesting and creative is the fact that
the plot
actually gets its structure from a nursery rhyme. Finally, Fauset
published the
novels
The Chinaberry Tree,
(1931) and
Comedy: American Style,
(1933). These novels didn’t do as well as the first two, but
nevertheless were
considered to be worthwhile. Having published four novels, Fauset was
the most
published novelist of the Harlem Renaissance.
Jessie Redmon Fauset died on April 30th, 1961, just three
days after her 79th birthday.