Home Page

SOUTH CAROLINA MUSIC HALL OF FAME Preserving the State's Soundtrack

hubpod
MUSIC PLAYER

SOUTH CAROLINA
MUSIC HALL OF FAME
INITIATIVE

STANFIELD GRAY
EXECUTIVE DIRECTOR

BIBLIOGRAPHY: to contribute content email grayjs@cofc.edu

BOOKS

Bangs, Lester. Psychotic Reactions & Carburetor Dung. Maryland: Random House Inc., 1987.

Bastin, Bruce. Cryin’ for the Carolina’s. London: Studio Vista, 1971.

Bastin, Bruce. Red River Blues: The Tradition in the Southeast. IL.: University of
Illinois Press, 1986.

Berlin, Edward A. King of Ragtime: Scott Joplin and His Era. New York: Oxford
University Press, 1994.

Bierhost, John. The Oxford Book of Spirituals. City: Oxford University Press, 2001.

Booth, Stanley. Rhythm Oil: A Journey Through the Music of the American South. N.Y.: Da Capo Press Inc., 2000.

Bushell, Garvin and Tucker, Mark. Jazz from the Beginning. MA: Da Capo Press Inc.,
1998.

Cantwell, Robert. Bluegrass Breakdown: The Making of the Old Southern Sound.
Cambridge: Da Capo Press, 1984.

Cantwell, Robert. When We Were Good: The Folk Revival. Cambridge: Harvard
University Press, 1996.

Carlin, Richard. English and American Folk Music: English and American Music, Vol.

New York: Facts on File Inc., 1987.

Carlin, Richard. Jazz. New York: Facts on File Inc., 1991.

Carlin, Richard. Rock & Roll: 1955-1970. New York: Facts on File Inc., 1988.

Carlin, Richard, and Carlin, Bob. Southern Exposure: The Story of Southern Music in
Pictures and Words. New York: Billboard Books, 2000.

Cash, Johnny. Cash: The Autobiography. New York: Harper Paperbacks, 1998.

Chapman, Marshall. Goodbye, Little Rock and Roller. New York: St. Martin’s Press,
2003.

Charters, Samuel Barclay. The Country Blues. New York: Da Capo Press, 1977.

Charters, Samuel Barclay. Legacy of the Blues. New York: Da Capo Press, 1977.

Charters, Samuel Barclay. Robert Johnson. New York: Oak Publications, 1973.

Charters, Samuel Barclay. Walking a Blues Road. UK: Marion Boyars Publishers Ltd.,
2004.

Cooper, Peter. Hub City Music Makers: One Southern Town’s Popular Music Legacy.
Spartanburg, South Carolina: Hub City Writer’s Project, 1997.

Craig, Douglas B. Fireside Politics: Radio and Political Culture in the United States,

Baltimore: Johns Hopkins University Press, 2000.

DeFrantz, Thomas F. Dancing Revelations: Alvin Ailey’s Embodiment of African
American Culture. New York: Oxford University Press, 2004.

Delmore, Alton. Truth is Stranger Than Publicity. Nashville: Country Music Foundation
Press, 1977.

Dylan, Bob. Bob Dylan Chronicles. New York: Simon and Schuster, 2004.

Escott, Colin. Good Rockin’ Tonight: Sun Records and the Birth of Rock n’ Roll. N.Y.:
St. Martin’s Press, 1991.

Escott, Colin. Hank Williams: The Biography. Boston: Little Brown & Co., 1994.

Escott, Colin. Sun Records: The Brief History of the Legendary Recording Label.
City: Omnibus, 1980.

Escott, Colin. Tattooed on Their Tongues: A Journey Through the Backrooms of
American Music. N.Y.: Schirmer Books, 1996.

Evans, David. Big Road Blues: Tradition and Creativity in the Folk Blues. New York:
Da Capo Press, 1987.

Filene, Benjamin. Romancing the Folk: Public Memory and American Roots Music.
Chapel Hill, N.C.: University of North Carolina Press, 2000.

Floyd, John. Sun Records: An Oral History. New York: Avon Books, 1998.

Furia, Philip. The Poets of Tin Pan Alley: A History of America’s Greatest Lyricists.
New York: Oxford University Press, 1992.

Giddins, Gary. Visions of Jazz: The First Century. New York: Oxford University Press,
1989.

Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.

Gordon, Robert. Can’t Be Satisfied: The Life and Times of Muddy Waters. Boston:
Little Brown & Co., 2002.

Gordon, Robert. It Came From Memphis. Gordonsville, Va.: Faber & Faber Ltd., 1996.

Guralnick, Peter. Dream Boogie: The Triumph of Sam Cooke. Boston: Little Brown
& Co., 2005.

Guralnick, Peter. Last Train to Memphis: The Rise of Elvis Presley. Boston: Little
Brown, 1994.

Guralnick, Peter. Sweet Soul Music: Rhythm and Blues and the Southern Dream of
Freedom. New York: Harper and Row, 1986.

Guthrie, Woody. Bound for Glory: The Hard-Driving, Truth-Telling Autobiography of
America’s Greatest Poet-Folk Singer. City: Plume Books, 1983.

Hajdu, David. Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi
Baez Farina, and Richard Farina. Gordonsville, Virginia: Farrar, Strauss, and
Giroux, 2001.

Howe, Ann Whitworth. Lily Strickland: South Carolina’s Gift to American Music.
South Carolina Tricentennial, 1970.

Jackson, George. Spiritual Folk-Songs of Early America. Gloucester, Ma.: Peter Smith
Publisher Inc., 1975.

Johnson, Kenneth M, and Wolfe, Charles K. The Johnson Family Singers: We Sang for
Our Supper. Jackson, Ms.: University Press of Mississippi, 1997.

Korall, Burt. Drummin’ Men: The Heartbeat of Jazz. New York: Oxford University
Press, 2002.

Laird, Tracey. Louisiana Hayride: Radio and Roots Music Along the Red River. New
York: Oxford University Press, 2004.

Lees, Graham, and Lees Gene. Meet Me at Jim and Andy’s: Jazz Musicians and Their
World. Cary, North Carolina: Oxford University Press, 1988.

Lees, Gene. Singers and the Song II. New York: Oxford University Press, 1987.

Lomax, Alan. The Land Where the Blues Began. N.Y.: The New Press, 1993.

Lomax, Alan. Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole
And Inventor of Jazz. N.Y.: Duell Sloan and Pearce, 1950.

Lomax, John, III. American Ballads & Folk Songs. N.Y.: Macmillan Co., 1954.

Macan, Edward. Rocking the Classics: English Progressive Rock and the Counterculture.
New York: Oxford University Press, 1997.

Malone, Bill. Country Music U.S.A.; a fifty-year history. Austin & London: The
University of Texas Press, 19770.

Malone, Bill. Don’t Get Above Your Raisin: Country Music and the Southern Working
Class. IL.: University of Illinois Press, 2002.

Malone, Bill. Singing Cowboy and Musical Mountaineers: Southern Culture and the
Roots of Country Music. Georgia: University of Georgia, 1993.

Malone, Bill and Stricklin, David. Southern Music/American Music. Kentucky:
University Press of Kentucky, 1979.

Malone, Bill. Starts of Country Music: Uncle Dave Macon to Johnny Rodriguez.
Champaigne, IL.: University of Illinois Press, 1975.

Margolick, David, and Wilson, Cassandra. Strange Fruit: Billie Holiday, Café Society,
And a Cry for Civil Rights. Philadelphia: Running Press, 2000.

Morton, David C, and Wolfe, Charles K. Deford Bailey: A Black Star in Early Country
Music. Knoxville: University of Tennessee Press, 1993.

Ogren, Kathy J. The Jazz Revolution: Twenties America & The Meaning of Jazz. New
York: Oxford University Press, 1989.

Oliver, Paul. Blues Off the Record: Thirty Years of Blues Commentary. New York: Da
Capo Press, 1988.

Oliver, Paul. Screening the Blues. New York: Da Capo Press, 1989.

Oliver, Paul. Songsters and Saints: Vocal Traditions on Race Records. UK:
Cambridge University Press, 1984.

Oliver, Paul. The Story of the Blues. City: Northeastern University Press, 1998.

Oliver, Paul. Yonder Come the Blues: The Evolution of a Genre. New York: Cambridge
University Press, 2001.

Owens, Thomas. Bebop: The Music and Its Players. Oxford: Oxford University Press,
1995.

Palmer, Robert. Dancing in the Street: A Rock and Roll History. London: BBC Books
1996.

Palmer, Robert. Deep Blues: A Musical and Cultural History of the Mississippi Delta.
Middlesex: Penguin Books, 1986.

Palmer, Robert. Rock & Roll: An Unruly History. N.Y.: Harmony Books, 1995.

Piazza, Tom. Blues and Trouble: Twelve Stories. City: St. Martin’s Press,
1996.

Piazza, Tom. Blues Up and Down: Jazz, Race, and American Culture in Our Time.
Gordonsville, Virginia: St. Martin’s Press, 1997.

Piazza, Tom. True Adventures with the King of Bluegrass. Nashville: Vanderbilt
University Press, 1999.

Piazza, Tom. Why New Orleans Matters. City: Harper Collins, 2005.

Roberts, John Storm. The Latin Tinge: The Impact of Latin American Music on the
United States. New York: Oxford University Press, 1979.

Roscigno, Vincent J, and Danaher, William F. Voice of Southern Labor: Radio Music
And Textile Strikes 1929-1934. Chicago: University of Minnesota Press, 2004.

Rosenthal, David H. Hard Bop: Jazz and Black Music, 1955-1965. New York: Oxford
University Press, 1992.

Santelli, Robert. American Roots Music. Boston: Harry N. Abrams Inc., 2001.

Santora, Gene. Dancing in Your Head: Jazz, Blues, Rock, and Beyond. New York:
Oxford University Press, 1994.

Santora, Gene. Highway 61 Revisited: The Tangled Roots of American Jazz, Blues,
Rock, & Country Music. Cary North Carolina: Oxford University Press, 2004.

Sawyers, June Skinner. Celtic Music: A Complete Guide. New York: Da Capo Press,
2000.

Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York:
Oxford University Press, 1968.

Schuller, Gunther. Swing Era: The Development of Jazz, 1930-1945. New York:
Oxford University Press, 1989.

Shaw, Arnold. The Jazz Age: Popular Music in the 1920’s. Cary, North Carolina:
Oxford University Press, 1987.
Shipton, Alyn. Groovin’ High: The Life of Dizzy Gillespie. City: Oxford University
Press, 2001.

Smith, Michael Buffalo. Carolina Dreams: The Musical Legacy of Upstate South
Carolina. CA: Marshall Tucker Entertainmant, 1997.

Southern, Eileen. The Music of Black Americans: A History. New York: W W Norton
& Company, 1983.

Stearn, Marshall. The Story of Jazz. New York: Oxford University Press, 1970.

Stokes, W Royal. Living the Jazz Life: Conversations with Forty Musicians about Their
Careers in Jazz. Cary, North Carolina: Oxford University Press, 2002.

Van Rijn, Guido. Roosevelt’s Blues: African-American Blues and Gospel Songs on
FDR. Jackson: University Press of Mississippi, 1997.

Van Rijn, Guido, and Evans, David. Truman and Eisenhower Blues. City: Continuum
International Publishing Group, 2004.

Ward, Geoffrey C, and Burns, Ken. Jazz: A History of America’s Music. New York:
Alfred A. Knopf, 2000.

Williams, Martin. Jazz Changes. New York: Oxford University Press, 1993.

Williams, Martin. The Jazz Tradition. New York: Oxford University Press, 1970.

Wolfe, Charles. Classic Country: Legends of Country Music. N.Y.: Routledge, 2001.

Wolfe, Charles. Country Music Goes to War. City: University Press of Kentucky, 2005.

Wolfe, Charles and O’Connor, Mark. The Devil’s Box: Masters of Southern Fiddling.
Nashville: Vanderbilt University Press, 1997.

Wolfe, Charles. A Good-Natured Riot: The Birth of the Grand Ole Opry. Nashville:
Vanderbilt University Press, 1999.

Wolfe, Charles. Kentucky Country: Folk and Country Music of Kentucky. Lexington:
University Press of Kentucky, 1982.

Wolfe, Charles. Mahalia Jackson (Woa). New York: Chelsea House, 1990.

Wolfe, Charles. Tennessee Strings: The Story of Country Music in Tennessee. Chicago:
University of Tennessee Press, 1996.

Wolfe, Charles K, and Lornell, Kip. The Life and Legend of Leadbelly. New York:
Harper Trade, 1994.

Wolfe, Charles. Women of Country Music: A Reader. City: University Press of
Kentucky, 2003.

PERIODICALS

The Banjo Newsletter -
http://www.banjonews.com/

Bluegrass Unlimited – Published monthly, founding member of International Bluegrass Assoc. – out of Warrenton, Va.
http://www.bluegrassmusic.com/index.php?issue=39267

Blues Access
http://www.bluesaccess.com/ba_home.html

Blues Revue Magazine
http://www.bluesrevue.com/

Country Standard Time – Discusses Current Country Music Issues
http://www.countrystandardtime.com/

Dallas Music – Bi-monthly print. Supports Dallas’ local music.
http://www.dallasmusic.com/

Dirty Linen – bimonthly magazine that celebrates roots music.
http://www.dirtylinen.com/

Froots Magazine – Worldwide roots music guide
http://www.frootsmag.com/

Goldmine Magazine – Marketplace for collectable music and music memorabilia.
http://goldminemag.com

GRITZ Digital Southern Music Magazine – Virtual Southern Music Mag. Out of Greenville ,SC.
http://www.gritz.net

Jazztimes Magazine – Leading Jazz Publication
http://www.jazztimes.com/

Living Blues Magazine
http://www.livingblues.com/

MetroBEAT
http://www.metrobeat.net

Mudcat Café – magazine dedicated to blues and folk music
http://www.mudcat.org/

Roots World – online magazine (more international then Southern but ref. to Louisiana – Cajun, Zydeco etc.)
http://www.rootsworld.com/rw/

JAZZ BIBLIOGRAPHY COMPLIMENTS OF

The Charleston Jazz Initiative (CJI)

Abbott, Lynn and Doug Sheroff. Out of Sight: The Rise of African American Popular Music
1889-1895. Jackson, MS: University Press of Mississippi, 2003.

Allen, M.D. “The Dynamic Chord and Muted Notes (DCMN) Analysis of Freddie Green’s
Rhythm Guitar Style: What’s In a ‘One-Note’ Chord?”
www.freddiegreen.org/technique/allen_dcmn.html.

Ansermet, Ernst-Alexandre. “Bechet and Jazz Visit Europe. In Reading Jazz, edited by Robert
Gottlieb. New York: Pantheon Books, 742-744.

Archer, William. “Charleston” in Through Afro-America: An English Reading of the Race
Problem. London: Chapman and Hall, Ltd., 1910, 167-176.

Ashley, Dottie. “Panel to discuss contributions of jazz saxophone great.” Post and Courier,
June 27, 2004.

Atkins, Clarence. “A Jazzman in Brooklyn.” Black World Today, February 14, 2003.

Aurthur, Bob. “Let the Good Times Roll: An Impression of Chippie Hill.” Playback 3(2),
February 1950, 3-4.

Badger, Reid. A Life in Ragtime: A Biography of James Reese Europe. New York: Oxford
University Press, 1995.

__________. “James Reese Europe and the Prehistory of Jazz.” American Music (Spring 1989):
48-66.

Ball, Edward. The Sweet Hell Inside: A Family History. New York: William Morrow,
Publishers, Inc., 2001.

Balliett, Whitney. Collected Works: A Journal of Jazz 1954-2001. New York: St. Martin’s
Press, 2000.

_____________. Jelly Roll, Jabbo and Fats: 19 Portraits in Jazz. New York: Oxford University
Press, 1983.

Barbour, Clay. “Quentin Baxter: Jazz Drummer, Composer, Instructor Plays Every Beat.” Post
and Courier, February 16, 2002.

Basie, Count and Albert Murray. Good Morning Blues: The Autobiography of Count Basie.
New York: Random House, 1985.

Bastin, Bruce. Red River Blues: The Blues Tradition in the Southeast. Champaign, IL:University
of Illinois Press, 1995.

Batiste, Alvin. Technical Studies in Jazz for K7-12. New Orleans: Jazzstronauts Publishing,
2004.

___________. “Charleston: Another Cradle of Jazz?” The Jenkins Orphanage Band.
Columbia: South Carolina Educational Television, 17-18 [n.d.].

Beaujon, Andrew. “Rene Marie: Serenity Playa.” Jazz Times, December 2004.

Berendt, Joachim E. The Jazz Book: From Ragtime to Fusion and Beyond. Westport, CT:
Lawrence Hill & Company, 1982.

Biagioni, E. "Herb Flemming, A Jazz Pioneer Around the World." Alphen aan de Rijn, 1978, 57.

Billard, Francois & Yves. Histoires du Saxophone. Castelnau-le-Lez, France: Climats, 1995,
79.

Bourgeois, Anna Stong. “Bertha Hill” in Blueswomen: Profiles of 37 Early Performers with an
Anthology of Lyrics, 1920-1945. Jefferson, NC: McFarland Publishers, 1996, 65-66.

Briggs, Jimmie. “The Hidden History of a Borough.” The New York Amsterdam News.
June 23-June 29, 2005.

Buchmann-Moller, Frank. Is This To Be My Souvenir: Jazz Photos from the Timme Rosenkrantz
Collection, 1918-1969. Odense: Odense University Press, 2000, 76-77.

Carles, Philippe. “Robin Kenyatta: Retour en bleu.” Jazz Magazine 518, September 2001, 13.

_____________ with Andre Clergeat and Jean-Louis Comolli. Dictionnaire du Jazz. Paris:
Robert Laffont, 1994.

Carr, Ian, Digby Fairweather, and Brian Priestley. Jazz: The Essential Companion. London:
Grafton Books, 1987.
Cerulli, Dom. "Freddie Greene," International Musician, 60(7), 1962, 26.
Chandler, Karen A. “Rethinking the Use of the Case Study in the Arts Management Classroom,”
Journal of Arts Management, Law and Society, 29(4), Winter 2000, 244-270.

_______________ and Jack McCray. “…But the Greatest of These is Charity: The
Charleston Jazz Initiative’s Study of the Jenkins Orphanage Bands.” Journal of Arts
Management, Law and Society 34 (Winter 2005): 306-318.

Chilton, John. The Orphanage of Musical Invention. The Jenkins Orphanage Band. Columbia:
South Carolina Educational Television, 7-9 [n.d.].

___________. Let the Good Times Roll: The Story of Louis Jordan and His Music. Ann Arbor,
MI: University of Michigan Press, 1997.

___________. A Jazz Nursery: The Story of the Jenkins’ Orphanage Bands. London:
Bloomsbury Book Shop, 1980.

____________. Who's Who of Jazz: Storyville to Swing Street. Philadelphia: Chilton Book
Company, 1972.

Cohen, Adam. “Turning the Music of the South and the Shtetl Into Bluesy Sophistication.” New
York Times, February 11, 2005.

Cohen, Daniel and Roy Rosenzweig. Digital History: A Guide to Gathering, Preserving
and Presenting the Past on the Web. Philadelphia: University of Pennsylvania Press,
2005.

Cordle, Owen. “Secret Strings: 10 Most Underrated Guitarists in the History of Jazz: Freddie
Green.” Jazz Times 32(6), July-August, 2002, 45.

Coss, Bill. “Swing Is Here to Stay: Interviews with the Basie Band.” Jazz Today 2(7),
August 1957, 17-19.

Creighton, James. Involving Citizens in Community Decision Making: A Guidebook.
   Washington, DC: Program for Community Problem Solving, 1992.
Crow, Bill. Jazz Anecdotes. New York: Oxford University Press, 1990, 158.
Dance, Stanley. The World of Swing: An Oral History of Big Band Jazz. New York: Da Capo
     Press, 2001.

____________. The World of Earl Hines. New York: Da Capo Press, 1977, 261-272.

____________. “Something To Pat Your Foot By” (Author Stanley Dance Interviews Freddie
Green and Count Basie). In The World of Swing by Stanley Dance. New York: Charles
Scribner’s Sons, 1974, 13-17.

Dance, Helen and Stanley. “The Freddie Green Interview,” August 9, 1977.
www.freddiegreen.org/interviews/dance.html.

Darke, Peter and Ralph Gulliver. “Roy Butler’s Story.” Storyville 71, June-July 1977,
178-190. http://www.chipublib.org/008subject/001artmusic/butler/butlerstory.html.

Day, Sherri. “Keeping Harlem’s Storied Jazz Past Jamming.” New York Times, May 29, 2004.

Deffaa, Chip. “Jabbo Smith” in Voices of the Jazz Age: Profiles of Eight Vintage Jazzmen.
Champaign, IL:University of Illinois Press, 1992.

__________ with Nancy Miller Elliott, John Johnsen and Andreas Johnsen. “Freddie Green” in
Jazz Veterans: A Portrait Gallery. Fort Bragg, CA: Cypress House, 1996, 72.

Dickert, Lewis Hays, Jr. An Analysis of Freddie Green’s Style and His Importance in the History
Jazz Guitar. Doctoral Dissertation. University of Memphis, 1994.

DeVeaux, Scott. The Birth of Bebop: A Social and Musical History. Berkeley: University of
California Press, 1997.

Drago, Edmund. Initiative, Paternalism, and Race Relations: Charleston’s Avery Normal
Institute. Athens: University of Georgia Press, 1990.

Drew, Peter. “Bertha’s Blues ‘want you boys to remember one gal ain’t got it all.’” Record
Changer, April 1948, 11.

Driggs, Frank and Chuck Haddix. Kansas City Jazz: From Ragtime to Bebop. A History.
New York: Oxford University Press, 2005.

Dugan, James and John Hammond. “The Music Nobody Knows.” www.vanguardrecords.com.

Dunaway, David K. and Willa K. Baum, eds. Oral History: An Interdisciplinary Reader. 2nd ed.
Thousand Oaks, CA: Sage Publishers, 1996.

Ellington, Duke. “Rufus Jones” in Music Is My Mistress. New York: Garden City Publishers,
1985, 402.

Elmore, Charles J. All That Savannah Jazz…: From Brass Bands, Vaudeville, to Rhythm and
Blues. Savannah, GA: Savannah State University, 1998.

Esposito, Bill. “Condon + Green = Rhythm.” Jazz Journal 23(8), August 1970, 16-17.

Feather, Leonard. The Book of Jazz. New York: Horizon Press, 1957.

Ferrell, Adam. “Behind the Music: Local Jazz History Gets its Due with the Kickoff of the
Charleston Jazz Initiative.” Post and Courier, June 1, 2005.

___________. “A Charleston Legend with Dash and Flair.” Post and Courier, July 3, 2004.

___________. “Charleston Jazz History Enlivened,” Post and Courier, March 25, 2003.

___________. “Fans Remember Musician Who Backed the Stars,” Post and Courier,
September 21, 2003.

Flans, Robyn. ”Where Are They Now? Fusion Pioneer Alphonse Mouzon.” Modern Drummer
24(1), January 2000, 67-68.

Floyd, Samuel A., Jr. International Dictionary of Black Composers. Chicago: Fitzroy Dearborn
Publishers, 1999, 1030-1034.

________________. The Power of Black Music: Interpreting its History from Africa to the
United States. New York: Oxford University Press, 1995.

Fowle, Noah. “On the Record: New Collection Highlights Borough’s Rich Musical
History.” Bronx Times, May 5, 2005.

Fraser, Walter J., Jr. Charleston! Charleston!: The History of a Southern City. Columbia:
University of South Carolina Press, 1991.

Frazier, Herb and Jack McCray. “Facing the Music: Hard Times Force Historic Orphanage to
Search for New Sources of Revenue.” Post and Courier, June 13, 2004.

George, Nelson. Buppies, B-Boys, Baps and Bohos: Notes on Post-Soul Black Culture.
Cambridge: Da Capo Press, 2002.

Giddins, Gary. Visions of Jazz: The First Century. Oxford University Press, 1998.

Gillespie, Dizzy with Al Fraser. To Be or Not to Bop: The Autobiography of Dizzy Gillespie.
London: Quartet Books, 1982.

Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.

Godbolt, Jim. “Bechet and Hawkins in London, 1949. JARS-Jazz at Ronnie Scott’s, Issue 121,
November-December, 1999.

Goddard, Chris. “The American View: Arthur Briggs” in Jazz Away From Home. New York:
Paddington Press, 1979, 281-288.

Graves, James B. “Rules of Engagement: Facilitating Community Cultural Programs,” Journal
of Applied Folklore, Vol. 4, 79-90, 1998.

Green, Jeffrey P. “Edmund Thornton Jenkins of Charleston and London.” Unpublished paper
for Charleston Jazz Initiative’s “Return to the Source,” June 3, 2005.

_____________. Black Edwardians: Black People in Britain 1901-1914. Oxford, UK: Routledge,
1998.

_____________. “An American Band in London, 1914.” Musical Traditions, 9, Autumn,
1991, 12-17.

______________. “Kemper Harreld.” Storyville 124 (Chigwell, Essex), April 1986, 138-139.

______________. “Beef Pie with a Suet Crust: A Black Childhood in Wigan (1906-1920).”
New Community (London) 11(3), Spring 1984, 175-178.

_____________ . Edmund Thornton Jenkins: The Life and Times of an American Black
Composer, 1894-1926. Westport, CT: Greenwood Press, 1982.

Greene, Harlan. Mr. Skylark: John Bennett and the Charleston Renaissance. Athens, GA:
University of Georgia Press, 2001.

Grime, Kitty. Jazz at Ronnie Scott’s. London: Editorial and Publicity Services, 1979.

Gushee, Lawrence. Pioneers of Jazz: The Story of the Creole Band. New York: Oxford
University Press, 2005.

Hagood, Catherine Brennan. “Photographer Focuses on Jazz Greats.” Post and Courier,
June 3, 2005.

Hall, Jim. Exploring Jazz Guitar. Milwaukee: Hal Leonard, 1990, 63-64.

Handy, D. Antoinette. Black Women in American Bands and Orchestras. 2nd ed. Lanham, MD:
Scarecrow Press, 1998.

Hardin, Jason. “Spirit of Jenkins Band Lives On In Film,” Post and Courier, January 16, 2004.

Harris, Stephen L. Harlem’s Hell Fighters: The African-American 369th Infantry in World
War I. Dulles, VA: Potomac Books, Inc., 2003.

Hasse, John Edward. Beyond Category: The Life and Genius of Duke Ellington. New
York: Simon and Schuster, 1993.

Hentoff, Nat. “Freddie Green en solo?” Jazz Hot 107, February 1956, 22.

Hester, Karlton E. From Africa to Afrocentric Innovations Some Call “Jazz.” Ithaca, NY:
Hesteria Records and Publishing Company, 2000.

Heyward, Dubose. Mamba’s Daughters: A Novel of Charleston. Columbia, SC: University of
South Carolina Press, 1995.

Hohman, Marv. ”Do the Funky Renaissance with Alphonse Mouzon.” Down Beat 42(20),
December 4, 1975, 15-17, 38.

Holston, Mark. “Alphonse Mouzon.” Jazziz 5(2), February-March, 1988, 53.

Horricks, Raymond. ”Freddie Green” in Count Basie and His Orchestra: Its Music and its
Musicians. New York: The Citadel Press, 1957, 124-132.

Hunter, Matt. “Key to the Drum.” Djembe Magazine, 14, October 1995.

Jackson, Jeffrey H. Making Jazz French: Music and Modern Life in Interwar Paris. Durham,
NC: Duke University Press, 2003.

Jasen, David A. & Gene Jones. Spreadin’ Rhythm Around: Black Popular Songwriters, 1880-

New York: Simon and Schuster/Macmillan, 1998, 136-145.

Jeffri, Joan. Changing the Beat: A Study of the Worklife of Jazz Musicians. NEA Research
Division Report #43, 2003.

Jenkins Orphanage. God Dealing with Reverend D.J. Jenkins: The Orphanage Man.
Columbia, SC: Jenkins Orphanage Press, n.d.

_______________. The History of Jenkins Orphanage, 1891-1957. Columbia, SC: Jenkins
Orphanage Press, 1957.

Johnson, Charlton. Swing and Big Band Guitar: Four-to-the-Bar Comping in the Style of
Freddie Green. New York: Hal Leonard Publishing Corporation, 1998.

Jones, Max. “Freddie Green and Those ‘Rhythm Waves.’” Melody Maker, November 16, 1957,
5.

_________ & Sinclair Traill. “Who’s Who in the Basie Band.” Melody Maker 30(1071), 1954,
9.

Joyce, Mike. “Cladys ‘Jabbo’ Smith: Personal Interview” for Cadence, May 1982.
www.northbysouth.kenyon.edu.

Joyner, Brian D. African Reflections on the American Landscape: Identifying and Interpreting
Africanisms. Washington, DC: National Center for Cultural Resources, National Park Service, U.S. Department of the Interior, 2003.

Joyner, Charles. Down by the Riverside: A South Carolina Slave Community. Urbana:
University of Illinois Press, 1984.

Kahn, Ashley. “After 70 Years, The Village Vanguard Is Still in the Jazz Swing.” The Wall
Street Journal (online). February 8, 2005, www.villagevanguard.com/html/history.htm.

Kernfield, Barry, ed. The New Grove Dictionary of Jazz. New York, NY: Grove’s Dictionaries
of Music, 1988.

Knauer, Wolfram. “Expatriate Musicians in Europe: Between Fascination and
Misunderstanding.” Unpublished paper for Charleston Jazz Initiative’s “Return to the Source,”
June 3, 2005.

______________. “Simulated Improvisation in Duke Ellington’s Black, Brown and Beige,”
Black Perspectives in Music 18 (1990): 20-38.

Koral, Burt. “A Blast from the Past: The Great Drummers of Duke Ellington.” Modern
Drummer 21(12), December 1997, 92.

Lawrence, A.H. Duke Ellington and His World: A Biography. Oxford, UK: Routledge, 2001.

Lawrenson, D. “Oral History: Neither Fish Nor Fowl.” In R.B. Burgess (ed.), Issues in
Qualitative Research. Studies in Qualitative Methodology. Vol. 4. Greenwich, CT: JAI Press, 1994.

Dr. Licks (Allan Slutsky). Standing in the Shadows of Motown: The Life and Music of
Legendary Bassist, James Jamerson. Wynnewood, PA: Dr. Licks Publishing, 1989.

____________________ with James Jamerson. “James Jamerson: Interview with a Ghost.” In
The Bass Player Book. San Francisco: Backbeat Books, 1999.

Lindsay, Nick. And I’m Glad: An Oral History of Edisto Island. Charleston, SC: Tempus
Publishing, Inc., 2000.

Love, Preston. A Thousand Honey Creeks Later: My Life in Music from Basie to Motown – and
Beyond. Hanover, NH: Wesleyan University Press, 1997.

Lovett, Michael. “Orphaned No More: Lowcountry Jazz History Rescued by Charleston Jazz
Initiative.” Post and Courier, June 2, 2005.

Malone, Jacqui. Steppin’ on the Blues: The Visible Rhythms of African American Dance.
Champaign, IL:University of Illinois Press, 1996.

McCarthy, Albert. “The Expatriates” in Big Band Jazz. New York: G.P. Putnam's Sons, 1974,
310.

McCray, Jack. “Teen singer makes debut at jazz picnic.” Post and Courier,
August 11, 2005, A5.

___________. “Quentin Baxter: Doin’ What He Does.” Domain, Spring 2005, 39-48.

___________. “Birthday party to breed good jazz.” Post and Courier, August 26, 2004, 6F.

___________. “All-Star Jazz Lineup.” Post and Courier, January 29, 2004, 4F.

___________. “The goose gets jazzed this weekend.” Post and Courier, October 16, 2003, 4E.

___________. “Simpson Bringing His Art Home.” Post and Courier, September 3, 1995, F1.

___________and Herb Frazier. “The Music Man: Jenkins Players on Cutting Edge of
American Swing Music.” Post and Courier, June 13, 2004.

Milkowski, Bill. “HearSay: Alphonse Mouzon.” Jazz Times 31(9), November 2001, 34.

Minis, Wevonneda. “Bassist’s Life, Local Ties Explored in 2-Day Event.” Post and Courier,
September 14, 2003.

Moll, Dieter. “Chippie Hill” in Das Buch des Blues. Konigswinter: Heel-Verlag, 1989,
124-125.

Mongan, Norman. Histoire de la guitare dans le jazz. Paris: Filipacchi, 1986, 73-75.

Morgenstern, Dan. Living with Jazz. New York: Pantheon, 2004.

_______________. Jazz People. New York: Da Capo Press, 1993.

_______________, Charles Nanry, and David A. Cayer, eds. Annual Review of Jazz Studies 3.
New Brunswick: Transaction Books, 1983, pp. 193-198.

_______________. “Different Strokes: Alphonse Mouzon – ‘Play Yourself.’” Down Beat
40(5), March 15, 1973, 18-21, 31.

Myers, Patricia. “Hear Say: Alphonse Mouzon – Holding His Own.” Jazz Times 23(9),
November 1993, 10.

Nageli, Klaus. “Saint Julian Bennett Dash.” Zurich: New Jazz Club, March 14, 1962.

Ness, David. “Freddie Green: Birth of a Style.” Jazz Educators Journal 32(3), November 1999,
43-45, 47. Also at www.freddiegreen.org/technique/ness.html.

Newby, Idus A. Black Carolinians: A History of Blacks in South Carolina from 1895 to 1968.
Columbia: University of South Carolina Press, 1973.

Olden, Rachelle. “Shake, rattle, and roll: The Charleston Jazz Initiative.” George Street News,
September 18, 2003.

Parker, Adam. “Project Explores Area Contribution to Jazz.” Post and Courier, June 3, 2005.

Parrish, Lydia. Slave Songs of the Georgia Sea Islands. Athens, GA: University of Georgia Press,
1992.

Peretti, Burton W. “ Speaking in the Groove: Oral History and Jazz.” The Journal of
American History. September 2001, Vol. 88, Issue 2, 582-595.

Perichon, Dominique. “La legende de Freddie.” Bulletin du HCF 436, May 1995, 1-7.

Perks, Robert, and Alistair Thomson. The Oral History Reader. New York: Routledge, 1998.

Pernet, Robert. “Some Notes on Arthur Briggs.” Storyville 84, August-September, 1979, 204-
209.

Perry, Lou, Jr. “Alphonse Mouzon: Marked Man.” Modern Drummer 3(2), March-April, 1979,
28-30.

Pertaining to Officers and Employees of The Jenkins Orphanage. Undated. Jenkins Orphanage
Records and Exhibit. Charleston, SC: Avery Research Center for African American History
and Culture.

Pettersen, Michael. “Distilling Big Band Guitar: The Essence of Freddie Green.”
Down Beat 67(10), October 2000, 93.

Powers, Bernard E., Jr. Black Charlestonians: A Social History, 1822-1885. Fayetteville:
University of Arkansas Press, 1994.

Ratliff, Ben. “Viewing Jazz on the Tides of History.” New York Times, January 2004, 7.

Reda, Jacques. “Le secret de Freddie Green” in L’improviste. Paris: Folio Essais, 1990, 163-
166.

Rhett, Walter. “James Lee Jamerson: The Lowcountry’s Musical Genius.” The Charleston
Chronicle, September 24, 2003.

Ridley, Larry. Paper (unpublished) for Charleston Jazz Initiative’s “Return to the
Source,” June 3, 2005.

Rosen, Robert N. A Short History of Charleston. 2nd ed. Columbia, SC: University of South
Carolina Press, 1992.

Ruffins, Paul. “Embracing Public History,” Black Issues in Higher Education, February 14,
2002, 30-35.

Rye, Howard. “Visiting Fireboys: The Jenkins’ Orphanage Bands in Britain. Storyville, 130,
June 1, 1987, 137-143.

Schuller, Gunther. The Swing Era: The Development of Jazz, 1930-1945. New York: Oxford
University Press, 2001, 226-228.

______________. Early Jazz: Its Roots and Musical Development. New York: Oxford
University Press, 1986.

Selove, Richard E., Madeleine L. Scammell, and Breena Holland. Community-Based Research
in the United States. Amherst, MA: The Loka Institute.

Shack, William A. Harlem in Montmartre: A Paris Jazz Story between the Great Wars.
Berkeley: University of California Press, 2001.
Shipton, Alyn. A New History of Jazz. London: Continuum, 2001.

South Carolina Educational Television. “The Jenkins Orphanage Band: Viewer Guide.”
Columbia, SC: South Carolina Educational Television, n.d.

Southern, Eileen. The Music of Black Americans: A History. 3rd ed. New York: Norton, 1997.

Spellman, A.B. Keynote Paper (unpublished) for Charleston Jazz Initiative’s “Return to the
Source,” June 3, 2005.

_____________. Four Lives in the Bebop Business. New York: Limelight Editions, 1966.

Standifer, James. “Interview with Jabbo Smith [and Lorraine Gordon].” February 3, 1983.
www.umich.edu/~afroammu/standifer/smith_jabbo.html.

Steed, Janna Tull. Duke Ellington: A Spiritual Biography. New York: Crossroads Publishing,
1999.

Stewart-Baxter, Derrick. Ma Rainey and the Classic Blues Singers. New York: November
Books/Studio Vista, 1970, 72-74.

Stovall, Tyler. Paris Noir: African Americans in the City of Light. Boston: Houghton Mifflin,
1996.

Tee, Ralph. “Musin’ with Mouzon.” Blues & Soul 415, September 11, 1984, 19.

Terry, Sue. “Sue Terry Interviews Clifton Smalls: Jazz Artists Speak Out.” The Jazz Artist
3(1), August, 1999.

Thomas, Walter (Foots). “Highlights on Julian Dash.” Rhythm, November 1946.

Time Magazine. “Jenkins Bands.” August 26, 1935.

Tirro, Frank. “Bertha ‘Chippie’ Hill” in Jazz: A History. 2nd ed. New York: W.W. Norton,
1993, 76-77.

Townley, Ray. “Alphonse Mouzon: Funky Fingers a Waltzin.’” Down Beat 41(5),
March 14, 1974, 13.

Tracy, Steven C. “H-Bomb Ferguson” in Going to Cincinnati: A History of the Blues in the
Queen City. Urbana: University of Illinois Press, 1993, 154-164.

Traill, Sinclair. “In my Opinion: Freddie Green.” Jazz Journal 15(6), June 1962, 15-16.

Turner, Stacy. “Blacks Get on Record: History Project Studies Life in the Bronx.” The
New York Daily News. October 24, 2004.

Twining, Mary A., and Keith E. Baird, eds. Sea Island Roots: African Presence in the Carolinas
and Georgia. Trenton, NJ: Africa World Press, 1991.

Vazquez, Enric. “Freddie Green: El pulso del jazz se detuvo.” Quartica Jazz 18, April 1987, 11.

Vian, Boris. “Bertha ’Chippie’ Hill.” Jazz Hot 23, May 1948, 6.

Walton, Charles. Bronzeville Conversation with Samuel “Lonnie” Simmons and Charlie Cole.”
Jazz Institute of Chicago, www.jazzinchicago.org.

Ward, Brian. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race
Relations. Berkeley: University of California Press, 1998.

Werner, Lerf. “Can’t We Talk It Over?” Storyville 97, October-November 1981, 10.

White, Shane and Graham White. Stylin’: African American Expressive Culture from its
Beginnings to the Zoot Suit. Ithaca: Cornell University Press, 1998.

Widran, Jonathan. “Tradin’ Fours: Alphonse Mouzon – Smooth Operator Swings Back.”
Down Beat 63(10), October 1996, 41.

Willan, Brian. Sol Plaatje, South African Nationalist 1876-1932. London: Heinemann/Los
Angeles: University of California Press, 1984.

Wilmer, Valerie. “The Spirit Behind the Musicians” in As Serious As Your Life: The Story of the
New Jazz. London: Allison & Busby Ltd., 1977, 155-178.

_____________. “Robin Kenyatta and the Gypsy Life.” Down Beat 39(13), July 20, 1972, 13,
48.

Wright, Laurie. “Pieces of the Jigsaw: Gus Aiken.” Storyville, 1996-1997, 189-190.

Yanow, Scott. Classic Jazz: The Essential Listening. San Francisco: Backbeat Books, 2002.

___________. Trumpet Kings: The Players Who Shaped the Sound of Jazz Trumpet. San
Francisco: Backbeat Books, 2001.

___________. Swing: Great Musicians, Influential Group, 1500 Recordings Reviewed and
Rated. San Francisco: Miller Freeman, 2000.

Yow, Valerie Raleigh. Recording Oral History: A Practical Guide for Social Scientists. Thousand
Oaks, CA: Sage Publications, 1994.