Description
This course examines prehistoric forms
of ritual and art, their interpretation, and their evolutionary and
behavioral
significance within an archaeological framework. Students are
introduced
to prehistoric ritual and art throughout the Old and New World-their
form,
content, and chronological evolution. This course reviews and assesses
competing interpretive frameworks, with emphasis on understanding the
social
and ideological context within which prehistoric ritual and art were
produced
and comprehended.
Instructor
Dr. Maureen A. Hays
Office
- 88 Wentworth Room 105
Phone -
953-6597 E-mail- haysm@cofc.edu
Office
Hours - 11:00-12:00 MWF 2:30-3:30 MW and by appointment
Course
Meeting
Monday
& Wednesday 1-2:15 ECTR 107
Course Texts
Linked readings from webpage - Print
on campus for ease of access. If you insist on printing at home, be
warned
if you only have a dial up connection this will take forever. If
you are off campus, you cannot access the readings by simply clicking
on
the link. You will have to log in using the library’s off campus
access to databases (This is found on the library page under
databases).
Use your SS# and the password cougars. You will then have
to
use JSTOR or Infotrac to look up he article using your
syllabus.
Just print on campus and save yourself some trouble.
I = Infotrac
J = JASTOR
W = Web
R = Library Reserve
Grading
Midterm
- October 22 20%
Final - December 15 12:00 25%
Class Participation 5%
Class Preparation 20%
Oral Presentation 30%
Topic 1%
Bibliography 4%
Annotated Bibliography 8%
Class Article Assignment 1%
Outline 10%
Presentation 5%
Research
Paper 8%
Midterm (October
22) and Final (December 15 12:00)
The midterm and final are designed
to evaluate your critical thinking skills. They will be in essay
format, and will test your ability to synthesize the material from the
journal articles, discussion, and lecture. The final in
cumulative.
Class
Participation
Due: Daily
Students will be called on daily
to actively participate in class discussions and group activities.
Class
Preparation
Due: Daily
Every class students will prepare
an annotation of the assigned readings (see format). These must
be
typed. This assignment will facilitate discussions and provide
the
instructors with a means of evaluating student comprehension of the
assigned
journal articles.
Oral
Presentation
Due: TBA
Students will be responsible for
presenting, with 4-6 other students, their topic during class. If you
miss
your oral presentation, you will forfeit 5% of your grade. There
will be no make-ups.
Oral
Presentation
Schedule Due: Multiple Dates
Topic
Due:
Monday September 8
Choose a
geographic
area that interests you (other than Europe in the Paleolithic) and
formulate
a topic. I will collect these topics and form groups based
on
your interests. Choose your topic early, I will not allow
repeated
topics. If you prefer, you might want to choose people to work
with
and formulate your topics together. Don't be disappointed if I
alter
you topic somewhat, several people have to work together for a cohesive
presentation. The individual topics should be narrowly focused.
Topics such
as “I want to do a paper on the art of Australia” are not acceptable.
Focus!
Bibliography
Due:
Monday September 22
Prepare a working bibliography of
at least 10 primary references. These references will be specific
to your part in the presentation.
Annotated
Bibliography Due: Wednesday October 15
Prepare a 1 page annotation for
each of 4 references (your choice). See format for Annotation.
Class
Article Assignment Due: Wednesday October 15
Choose an article that best
represents
the material for your joint presentation. Provide me with a copy
and full citation. This will be assigned to the class and used in
discussion.
Outline
Due:
Monday November 3
Prepare a detailed outline for your
paper. It must have at least 3 levels
Presentation
Due: TBA
You will present orally, along with
your classmates, the results of your findings. I suggest that you
divide the labor into topic areas. Each presentation should be a
total of 75 minutes allowing 5 minutes for student questions.
Room 107 is equipped with the latest
in media technology. You should familiarize yourself with the
technology
(power point, slide projector, overhead, blackboard) and utilize this
technology
to enrich your presentation.
Research
Paper Due:
Monday December 8 in Class
(8 pages, typed, double spaced,
1 inch margins, 12 point font, with 10 primary cited references) on
your
oral presentation topic.
References should be in American
Antiquity style (take a look at the journal). Papers will not be
accepted late!!!
Make-Up
Policy
If you miss an exam you must see
me within one week after the exam to schedule a make-up. There
are
no make-ups for oral projects.
Attendance
Policy
Attendance will be taken every
day.
More than 3 absences will result in lowering of the final grade by one
letter grade. If you miss an oral presentation by one of your
classmates,
your final grade will be lowered by 2%.
Grade Scale
A
100-92
C+ 81-77 F 66-0
B+
91-87
C 76-72
B
86-82
D 71-67
Week 1 August
W : Introduction
Assignment Due Mon Sept 1 (please
type): Prepare 3 statements for each of the following questions:
What is art?
What is ritual?
Week 2 August
M: What is Art? What is
Ritual?
Reading:
Gould, Stephen Jay 1996 Up
against a wall. (paleolithic cave art). Natural History
105:16-24.
W: Cave Beneath the Sea
Week 3: September
M: History of Discovery
W: Dating Techniques
Reading:
Christian Züchner 2001 DATING
ROCK ART BY ARCHAEOLOGICAL REASONING - AN ANTIQUATED METHOD?
Extended version of a
communication
presented during the 42. Congress of the Hugo Obermaier-Gesellschaft at
Tübingen, April
2000. (c.f.: Züchner 2001)
Clottes, Jean 1996 Thematic changes in Upper Paleolithic art: a view from the Grotte Chauvet. Antiquity 70:276-289.
Week 4: September
M: Taphonomy
Reading:
Bednarik, Robert G. 1994 A
Taphonomy of Palaeoart. Antiquity
68:68-75.
Clotte, Jean 1993 Paint Analysis from Several Magdalenian Caves in the Ariege Region of France. Journal of Archaeological Science 20:223-235.
W: Archaeological Background: The Acheulean
Week 5: September
M: Earliest Evidence of Art in
the Acheulean
Reading:
Marshack, Alexander 1997 The
Berekhat Ram figurine: a late Acheulian carving from the Middle East. Antiquity
71:327-338.
Pelcin, Andrew 1994 A geological explanation for the Berekhat Ram figurine. Current Anthropology 35:674-676.
W: Archaeological Background: The Mousterian
Week 6: September
M: Earliest Evidence of
Ritual: Cannibalism
Reading:
Alban Defleur, Tim White,
Patricia Valensi, Ludovic Slimak, Évelyne
Crégut-Bonnoure,
Neanderthal
Cannibalism at Moula-Guercy, Ardèche, Science 286:128-131.
W: Earliest Evidence of
Ritual : Burial
Reading:
Gargett, R 1989 Grave Shortcomings.
Current
Anthropology 30: 157-190.
Week 7: October
M: Archaeological Background:
The Early Upper Paleolithic
W: Ornamentation
Reading:
White, Randall 1995
Ivory
Personal Ornaments of Aurignacian Age: Technological, Social, and
Symbolic
Perspectives. In Le Travail et l'Usage de l'Ivoire au
Paleolithique
de Superieur edited by J. Hahn et al. Ravello: Centro
Universitario
Europeo Per I Beni Culturali.
Week 8: October
M: Venus Figurines
Reading:
McDermott, LeRoy 1996
Self-representation
in upper paleolithic female figurines. Current
Anthropology 37:227-276.
W: Calendars
Reading:
Marshack, A Cognitive aspects of
Upper paleolithic Engraving. Current
Anthropology 13:445-477.
D'Errico, F1989 Paleolithic
Calendars:
A case of wishful thinking.
Current Anthropology 30:117-118.
Early Performance Art and
Fashion
Vandiver, P., O. Soffer, B. Klima,
and J. Svoboda 1989 The Origins of Ceramic Technology at Dolni
Vestonice,
Czechoslovakia. Science
246:1002-1009.
Week 9: October
M: FALL BREAK NO CLASS
W: Midterm Exam
Week 10: October
M: Archaeological Background:
The Late Upper paleolithic
W: Portable Art: Functional &
Miscellaneous Items
Week 11: October
M: Aggregation Sites Ritual
Boundaries
Conkey, M 1980 Boundedness in Art
and Society. In Symbolic and Structural Archaeology, edited by
I.
Hodder pp. 115-141. Cambridge: Cambridge University Press. Hand
out
The Identification of Prehistoric
Hunter-Gatherer Aggregation Sites: The Case of Altamira Margaret W.
Conkey
Current
Anthropology, Vol. 21, No. 5. (Oct., 1980), pp. 609-630.
W 31: Art for Art's Sake
Reading:
Halverson, J Art for Art's Sake
in the Paleolithic. Current
Anthropology 28:63-85.
Week 12: November
M: Literal Interpretations:
Humans and Animals
Reading:
Mithen, S. To Hunt or to Paint:
Animals and Art in the Upper Paleolithic.
Man 23:671-695.
W: Art as Information Exchange
Reading:
Barton, C. Michael, G.A. Clark,
Allison E. Cohen. 1994 Art as information: explaining Upper Paleolithic
art in western Europe. (Communication and Language) World
Archaeology 26:185-208.
Week 13: November
M: Entopic Phenomena
Reading:
Lewis-Williams, J.D., T.A. Dowson
1988 The signs of all times: entoptic phenomena in Upper Palaeolithic
art.
Current Anthropology 29:201(17) Comments. (remarks on Signs of
All
Times: Entoptic Phenomena in Upper Palaeolithic Art) Paul G. Bahn, H.G.
Bandi, Robert G. Bednarik, John Clegg, Mario Consens, Whitney David,
Brigitte
Delluc, Gilles Delluc, John Halverson, Robert Layton, Colin Martindale,
Vil Mirimanov, Christy G. Turner II, Joan M. Vastokas, Michael
Winkelman,
Alison Wylie. Current
Anthropology 29:217-233.
Wed 19 - Near/Middle East
Cultural
Associations and Mechanisms of Change in Anthropomorphic Figurines
during
the Neolithic in the Eastern Mediterranean Basin, pp. 73-86 Brad Bartel
Week 14: November 24
Monday 24 - Africa
Magic,
diversity and the ethnographic contexts of San rock paintings in
southern
Africa by Dr Anne Solomon (IRAC conference 1999)
THANKSGIVING NO CLASS WEDNESDAY NOVEMBER 26
Week 15: December 1-3
Monday 1 - British Isles
Smithsonian,
July 2002 v33 i4 p86 Romancing the stones: who built the great
megaliths
and stone circles of Great Britain, and why? Researchers continue to
puzzle--and
marvel--over these age-old questions. David Roberts.
Wednesday 3 -
SE US Myths and Monsters
Hand Out
SW US The
Anasazi The People of the Mountains, Mesas and Grasslands
Week 16: December 8
Monday 8 - Body
Art